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A little background
I was born and raised in Caracas, Venezuela. My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...
Nolton Haven
Technical info
Film Used FP4+
Format 35mm
Camera Nikon F2
Lens 20mm F3.5 AI. 25A red & 2stop ND filters.
Exposure time 30seconds
Other equipment Manfrotto tripod, Weston Lightmeter.
Location
Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales. It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.
Firstly, tell us the...
It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case.
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here).
For those of you who haven’t shot this film before, this review will give you my tak...
A medium for the moment
I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...
An Interest in Large Format
Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format.
I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
Quality, consistency and value
We have always been proud of the quality, consistency and value offered by our Kentmere range of black & white films.
However, following the recent redesign of our ILFORD film packaging earlier this year we noticed that the Kentmere brand and packaging was looking a little old school (but not in a cool, retro way)!
We felt it was time for Kentmere to step out of the shadows and be recognised for the excellent films that they are and so we are pleased to show ...
Crumble
We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image.
Technical Info
Film Used: Ilford HP5 PLUS
Format: 120 (6x7)
Camera: Mamiya RB 67 Pro-S
Lens: 90mm/3.8 Mamiya Sekor
Exposure time: 1/100
Other equipment: Changing bag with an extra 120 spool.
Location:
Top—Philadelphia, PA | Bottom—Bradley Beach, NJ
Firstly, tell us the story behind this image. What inspired you to s...
Pepperwood 1 - Clyde Butcher
Technical info
Pepperwood Redwood Forest #1
Avenue of the Giants State Park, California
8x10 inch Deardorf view camera 90 Snyder Super Angulon XL lens
no filter Delta 400 film f/45 exposure: 10 minute
Printed on: ILFORD Multigrade fiber base
Tell us the story behind this beautiful image
Long before I became a photographer, the redwood forests of California left me in awe. The enormous size of the trees - and their feeling of eternity - captured my soul.
In 196...
London Fashion Week
Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...