Search results for: 'trai hold'

'Something Special' There is a unique rendering to photographs made with Multigrade enlarging papers. It's difficult to define, maybe it's the timeless mood or perhaps it's the mystical feeling, or even a haunting aura... it's certainly there for me I like this very much! Add to this, it's super economical and can be visually handled via darkroom safe-lights. No more fussing around in total darkness which often requires the use strong language! Humour aside, I find the physical involvement of handling the...

4th of July weekend It all started with a single roll of 120 ILFORD HP5+ film and a Rolleiflex 3.5F over the Independence Day weekend which fell on a Monday this year. It was the Friday of that long holiday weekend and I loaded the roll of film in the Rolleiflex and took the camera for a ride to McIntosh Lake in Longmont Colorado (USA) in the hopes of finding worthwhile photo subjects. My goal was to find street portraits and storytelling photographs. What it became over the next ten weeks is the Longmo...

Our 63rd In Focus interview is with our ILFORD Master printer, Andrew Sanderson. Andrew has been a professional photographer for over 35 years, and has established an international reputation as both practitioner and teacher of the photographic medium. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Walk,walk,walk. HP5, Nikon F3. My favourite picture changes quite often. Usually it is the last print I made where everything came together ...

Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image. I thought I’d give this a try with my TLR, so read on below to f...

Join us while we chat with self-taught photographer Khoi Minh Nguyen, who is our 70th In Focus interviewee. Khoi tries to approach his photography as a still image in a movie and uses this medium to document life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Hasselblad 503cxi - ILFORD SFX 200 The image of my mother is my most proudest moment I had made last year. It felt like I was making work that I have been trying to make for a lon...

Introducing our 15th interviewee and one of Film Finishing's newest team members, Paul Cliff. Who are you? What’s your job title at HARMAN technology and how long have you worked here? My name is Paul Cliff and I have been with the company since February 2023. Tell us a little about your day to day role. I work on our 120 roll film spooling machines. I love everything about it. It’s been like taking control of a classic car, learning all its idiosyncrasies and intricacies; it’s an absolute mar...

“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...

Fading From View My project “Extinct" aims to highlight our quickly vanishing natural world. Just as photographs can fade over time, so many species on our planet are also permanently fading from view. The delicate chemical process of film photography I have chosen highlights the fragility of the medium as well as the state of existence of the species portrayed. Compositions bare the mark of their making. The edges of the frames are vanishing. Imperfections are left on view. As analogue photography is...

When I Was A Teenager Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...

Portraits Of Strangers I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...