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Terrain
This project recently exhibited at the Golborne Gallery, London
Road Trip
All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again.
Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape.
The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...
An honest representation
Two souls one vessel is a documentary project focusing on capturing the lives of drag queens, trying to tell their stories and create an honest representation of who they are in and out of drag, this series includes male, female and transgender drag queens.
Attracted to the surface glamour of the world of drag queens, I’ve explored the performance and behind the scenes to show the emotion and reality.
Alfie-Ordinary
Altering perspectives
Thinking about the project and th...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...
There was this one scene I wanted to capture. I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak. Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface.
...
Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results.
I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style.
Shades of Autumn
I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...
Sharing the skills and the passion
My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography
Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
I had just stepped out of the subway station when my cell phone rang. It was my father. “I saw on the news that there are protesters gathering in Manhattan over the grand jury decision. Be careful getting home.” “OK, Dad. Thanks for letting me know. I’ll be careful.” I put my phone back in my pocket, reached for my cameras and felt the weight of them on my neck as I slipped their straps over my head. I adjusted my camera bag on my hip, turned the collar up on my old green army jacket, and took ...
Further Film Adventures in the Future History
I've been shooting film almost as long as I've been shooting skateboarding - Delta 100 & XP2, mostly. I really got into it around 7 years ago, when I began documenting the skate scene in my hometown of Nottingham. Unknowingly I started a continuous body of work that still has no end in sight. And I was just looking for something to keep me busy when my digital kit had died!
Capturing the Community
I recently put on a new exhibition,...
I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago.
Odds and Ends
By utilising some of these long-neglected items...