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  • On April 15th in London, and many other locations around the world, a series of protests and demonstrations took place as an act of rebellion against systems of pollution and excess, which are causing rapid changes in the climate of our planet. I was aware that this rebellion would be taking place having attended a march a few days previous. I was excited to continue shooting in this environment and did not yet realise the scope of their action to unfold, or how rewarding it would end up being photographica...
  • Each week you surprise us with the great images that you share for our #ilfordphoto #fridayfavourites theme. This week's theme of #endless was no exception. These are the shots that caught our eye. nilsscarbro Three Bridges, Hanwell, London Praktica BC1, Tamron Adaptall-2 28mm f/2.5 HP5+ ISO400, Rodinal 1+25 6min #ilfordphoto #ilfordhp5 #praktica #believeinfilm  #greatwesternrailway #fridayfavourites #endless #blackandwhitefilm   METROPOLIS By Beatriz Burnay de Mendonça, entered into Frida...
  • Turning your negatives into positives Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL How it works It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
  • Below are some of the common errors that can occur when processing black and white films. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents. Film entirely blank - No visible images or edge signing A completely blank film with no images and no signing (i.e text in the perforation areas showing product and numbers) - indicates the film has received no development at all. Blank ...
  • Image title:Echos Technical info: Film used: ILFORD FP4+ 125 Format: 35mm Camera: Contax 167mt Lens: Zeiss 50mm 1.7 Exposure time: 1/500 Location: Ekbatan-Tehran-Iran   Firstly, tell us the story behind this image. What inspired you to shoot it? As a photographer my eye is constantly searching  for a specific composition,moment and emotion. It was a cloudy day and the music was playing in the air. In that very second I felt a sudden hint of inspiration that lead me to capture...
  • The Photography Show 14-17 March There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)! There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos. Come and see us! We will be there on stand B93 ...
  • In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing. The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world.  A huge thank you to everyone who took the time to offer your insights and share the survey for us. Why darkroom printing? We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...
  • A mix of Art and Science As I write this, the UK and many other parts of the world are currently in lockdown thanks to the COVID-19 coronavirus. This pandemic has meant the unprecedented closure of schools and the daunting prospect of home schooling our children – in my case 10-year old twins. Now, I’m not sure about other parents but I’m almost at the point where I can no longer blag my way through their homework. Rather than own up to this humiliating fact, I suggested I get them involved in a l...
  • We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
  • For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)! Section 1 - The Beginning Share your favourite image / print shot on ILFORD film and tell us what it means to you? Image by Hamish Gill shot on HP5+ That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...

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