Search results for: 'gives the format'

Sergio Felipe García tells us how he captured this brilliant shot for a commissioned clothing brand in this 'How I Got This Picture interview'. Image Title Cenizas de un verano” (“Ashes of a Summer” in english) TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 35mm CAMERA Hanimex Amphibian LENS 35mm f2.8 EXPOSURE TIME 1/125s at f11 LOCATION El Médano, Tenerife FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? The photo series “Ashes of a Summer” emerged ...

The Main Topics My name is Maria Guțu I am a Moldovan born and  based photographer, focusing on long term documentary projects.  In 2022 I finished my studies at the Docdocdoc School of Modern Photography, Saint Petersburg, earlier, in 2020 I graduated in cinematography at the Academy of Music, Theatre and Fine Arts from Chisinau, Moldova where I have been studying for 4 years. The main topics in my work are remote places, youth, the notion of the home and the relation between humans and the environment...

Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...

22nd December 2015 Storm over Vestrahorn, Iceland. Selenium and Thiourea toned silver gelatine ©Tim Rudman/National Trust   ‘Iceland, an Uneasy Calm’ is a series of photographs taken in Iceland over the last eight years by Tim Rudman who is acknowledged as one of the very finest landscape photographers working today. This stunning collection will be exhibited at the National Trust Fox Talbot Museum in Lacock, Britain’s birthplace of photography, from 9 January to 10 July 2016. Tim describ...

8th April 2015 HARMAN technology Limited for the 10th year in succession is making available to end users around the world a range of specialist film products. By consolidating orders HARMAN technology can supply products that would not normally be viable to manufacture. With analogue photography enjoying a revival it is vital to have film available for photographers using ultra wide format film for field cameras and other applications such as the base for specialist alternative photographic processes. Ad...

General FAQS Where can I find technical information about your products? We provide a comprehensive set of technical information to support all our products. Links to the technical information can be found on the product pages on the website. Advice for Airport X-ray scanners: Film & papers We are working with the DFT and Heathrow airport in the UK and will shortly be updating our information relating to the new CT type x-ray scanners being installed at major airports worldwide. Based on our init...

Starting Photography What should I choose as my first film? Please see our guide to choosing your first film.  What should I choose as my first Paper? Please read our guide to picking your perfect paper  What chemicals should I use for starting out with film processing? There is a lot of useful information in our learning zone  What advice can you give for setting up a new darkroom? There is a great short animation about this, along with other information in our learning zone   Pinho...

Film and single use cameras How long after exposing can I leave my film before processing? For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed. How do I account for film reciprocity during long exposures? This information can be found in the Film Reciprocity Failure Compensa...

Direct Positive Paper Why is my Direct Positive print white or too light despite giving it more exposure? If your print is white or too light then the exposure needs to be reduced. This is opposite to standard papers such as ILFORD MULTIGRADE. Why is my Direct Positive print black or too dark despite giving it less exposure? If your print is black or too dark then the exposure needs to be increased This is opposite to standard papers such as ILFORD MULTIGRADE. Is it normal for unexposed Direct Positi...

Health & Safety FAQ's Using Photographic Chemicals whilst Pregnant or Breast Feeding This is covered in our health and safety section,  Where can I find you Health and Safety Data Sheets Please visit our health and safety section, where all our MSDS can be found What ventilation do I need in my darkroom?  Smells and fumes from darkroom chemicals and heat from enlargers and lamps are best eliminated by some sort of extract in the room OR by opening the room up between processes. If you ...