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Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
The Outlaw Project shooting portraits with a large format camera
The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera.
In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...
London Fashion Week
Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...
HARMAN technology Ltd, the manufacturer of ILFORD photographic film, darkroom paper and chemicals, has announced the ILFORD SIMPLICITY range of photo chemicals designed for convenient, easy-use film processing.
The ILFORD SIMPLICITY range of film processing photo chemicals have been created for convenience and ease of use. These sachets are ideal for photographers who want to try processing their own film but have until now been apprehensive about the process and/or may not have required the larger volum...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...
Thank you
In 2018, we invited the global analogue film photography community to take part in our latest film users survey. The survey, which attracted 2100 participants when it was last conducted in 2014, grew to over 6,800 participants from 100 countries this time around. This was largely due to the help received from the fantastic film community in sharing it far and wide on social media, blogs and forums, so thank you.
While many of the results are in line with the growth seen since the re-emergenc...
Mindtraveller
Technical info
Film Used: ILFORD HP5+ (pushed to 3200)
Format: 120, shot as 6x7
Camera : Mamiya RB67 Pro SD
Lens: Sekor 50mm f4.5
Exposure time: 20 minutes
Other equipment: Tripod
Location: Norman Wells, Northwest Territories, Canada
Tell us the story behind this image. What inspired you to shoot it?
In the Canadian Arctic, we are gifted with the otherwise-evasive Aurora Borealis on almost a nightly basis. On many nights, the spectacle is nothing more than a faint gre...
A beautiful and inspiring place
Last year (2018) I was introduced to the Bale Mountains, a part of Ethiopia I had never seen before. Surprisingly, in the 8 years I have been traveling to Ethiopia, I have only recently begun discovering the many treasures this country holds. The Bale Mountains of southeastern Ethiopia is a truly beautiful and inspiring place with rich biodiversity and stunning geography. Bale Mountains National Park (BMNP) sits about 400km from the capital of Addis Ababa. Within the park ar...
Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results.
I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style.
Shades of Autumn
I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...