Search results for: 'trai what is it'

Violin Technical info Film Used:  ILFORD HP5 plus 400  Format 120 (6*6) Camera Hasselblad 503CW  Lens: Planar 80mm f/2,8 CF lens and Makro Planar T* CF 120mm f/4  Exposure time Double exposure (f/5,6 1/30s) Location: Petrozavodsk (Russia) Tell us the story behind Violin. What inspired you to shoot it? I have been working with the Karelian State Philharmonic for many years. The Philharmonic invites world famous musicians for concerts and festivals, and I shoot portraits of those musicians fo...

An honest representation Two souls one vessel is a documentary project focusing on capturing the lives of drag queens, trying to tell their stories and create an honest representation of who they are in and out of drag, this series includes male, female and transgender drag queens. Attracted to the surface glamour of the world of drag queens, I’ve explored the performance and behind the scenes to show the emotion and reality. Alfie-Ordinary Altering perspectives Thinking about the project and th...

Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...

There was this one scene I wanted to capture.  I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak.  Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface. ...

Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results. I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style. Shades of Autumn I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...

For this week's #ilfordphoto #fridayfavourites we asked you to share your #contactsheets Contact sheets are a great way to review and record your images. They allow you to view all the negatives on a roll of film before deciding which ones you want to print and how you may want to crop them. They also provide a permanent record of those negatives for filing.   patricio_estay MY LEICA M3! Gift from Henri Cartier Bresson 1986 - Paris... #partnerincrime #leica #myleica #leicam3 #hcb #editing #p...

Spirit of the mountain Spirit of the Mountains ©Darnell Wu Technical info： Film Used：ILFORD HP5 PLUS 400 Format：4 x 10 inch Camera ：CHAMONIX 4*10 N2 Lens ：SINARON S 72° f=300mm Exposure time：1/2S Other equipment：COKIN red filter with SEKONIC 508 light meter with tripod. Location：Minya Konka, Yaha nek, Sichuan Range Firstly, tell us the story behind this image. What inspired you to shoot it? I was still in the first year of high school when I shot this and needed to ask for...

I had just stepped out of the subway station when my cell phone rang. It was my father. “I saw on the news that there are protesters gathering in Manhattan over the grand jury decision. Be careful getting home.”  “OK, Dad. Thanks for letting me know. I’ll be careful.” I put my phone back in my pocket, reached for my cameras and felt the weight of them on my neck as I slipped their straps over my head. I adjusted my camera bag on my hip, turned the collar up on my old green army jacket, and took ...

I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago. Odds and Ends By utilising some of these long-neglected items...

Below are some of the common errors that can occur when processing black and white films. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents. Film entirely blank - No visible images or edge signing A completely blank film with no images and no signing (i.e text in the perforation areas showing product and numbers) - indicates the film has received no development at all. Blank ...