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We're heading back to October last year when Arkadiy Shlein nominated Oleg Kasko to take part in this series after following his Instagram feed. Oleg is a photographer and passionate darkroom printer and advocate from the Ukraine.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I like this one because when you look at the photo you see a boat surrounded by white like milk, water. Although in fact it was taken at night. I decided I would leav...
Nashville born Joseph Patrick or Photojojo was nominated by Laura E Partain back in October of 2020. Known for his creative shot choices and great use of light, we're excited to find out more about him.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is one of my favorite shots. Here it was a combination of a few things coming together perfectly to create an image that perfectly aligned with my vision. The model is a friend I met the ye...
An Unexpected Love
My love for Iceland was born unexpectedly, I absolutely didn’t see it coming and it washed over me like a tidal wave in a monsoon. We were planning a holiday of a lifetime. Somewhere with beautiful scenery to photograph, that was the only stipulation. It was more of an exploring holiday rather than the usual beach holiday we were used to.
Countries were thrown in the ring, I really wanted to go to Sweden and my husband threw in Iceland. It’s like I didn’t even know it existed ...
Number 37 in this series, which started a year ago as the Lockdown Sessions, sees us finding out more about Michael Watson. Nominated by Ryan Loco, Michael is a photographer based out of Des Moines who primarily shoots musicians and pro wrestlers.
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Favorite is tough, I’ve shot most of the important moments or biggest opportunities of my life on HP5 for over 10 years. There are portraits of my parents that are really ...
The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
Urban Lives and the Natural World
I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project.
There's a little bit of history in this direction with work from grea...
One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite image I have made so far would have to be this image. I made it while I ...
We're letting you back behind the film again to meet some of the passionate people who are part of making the products that you love. This time we talk to Becky and she shares some of her film photography with us.
INTRODUCTION
Who are you? What’s your job title HARMAN technology and how long have you worked here?
I’m Becky, an Apprentice Scientist and I’ve worked here for 2.5 years.
Tell us a little about your day-to-day role.
I work in the lab prepping formulations, carrying out raw material r...
The first roll
It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400.
This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...