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Image: Double exposure portrait series
Technical info
Film Used: ILFORD XP2
Format: 35mm film
Camera: NIKON F3T Lens: 50mm NIKOR-S 1.4 Exposure time: 1/60
Aperture: 5.6
Other equipment: -
Location: Kyiv, Ukraine
Firstly, tell us the story behind this image. What inspired you to shoot it?
I was attracted for a long time to the visual capabilities of multiple exposures. But I had no concept of how I could go beyond the simple multiple overlapping of frames, until I visited Marcel Ducham...
Image title:Echos
Technical info:
Film used: ILFORD FP4+ 125
Format: 35mm
Camera: Contax 167mt
Lens: Zeiss 50mm 1.7
Exposure time: 1/500
Location: Ekbatan-Tehran-Iran
Firstly, tell us the story behind this image. What inspired you to shoot it?
As a photographer my eye is constantly searching for a specific composition,moment and emotion. It was a cloudy day and the music was playing in the air. In that very second I felt a sudden hint of inspiration that lead me to capture...
Chris Cheetham has recently carried out a photographic project for the Empordàlia wine cooperative, situated in the beautiful, mountainous region of Catalonia.
Capturing Wine Making Equipment on Ilford HP5 Film
Rustic Detail
The project was inspired when Chris was purchasing a bottle of wine from the wine cooperative “Empordàlia” and saw all of the old wine making equipment at the back of the room. He thought the intricate detail of the rustic machinery would make a great photographic project us...
We are delighted to announce a number of exciting new products added to our range.
ILFORD MULTIGRADE RC DELUXE
ILFORD announced the world’s first variable contrast MULTIGRADE paper in 1940 and in 2019, as we celebrate our 140th anniversary, we are pleased to announce the 5th generation of our best-selling MULTIGRADE RC Papers.
MULTIGRADE IV RC papers (4th generation) were launched 25 years ago and have been hugely successful becoming the ‘go to’ black & white RC papers for discerning studen...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
Image Title:
Weathering the Shallows
Technical Info:
Film: ILFORD MULTIGRADE IV RC Paper
Format: 5x7 paper, trimmed to fit a standard 5x7 film holder
Camera: Deardorff V5 5x7 field camera
Lens: Fujinon W S 210mm f5.6
Exposure: ISO 6, f22, 15 seconds
Filter: Polarizer
Movements: Full front fall
Location: McCraney Lake in Algonquin Provincial Park, Ontario, Canada
TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
Each August a few friends and I canoe-camp in ...
Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...
Shooting Infrared film
Infrared photography has always been a unique and niche art form, allowing a photographer to capture images seemingly from another dimension. I say niche because capturing that "perfect" image requires a different approach to pre-visualizing your scene, an understanding of the limitations of infrared and the ability to adjust your settings effectively for changing conditions. For these reasons many photographers are reluctant to give IR film a try. This article will not only demo...