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  • My default Choice Colour photography has been my default choice for a long time. It is how my eyes see the world, it’s what catches my attention, and it’s what brought my back to film photography. My first roll in 2018 was a roll of Lomography 400 shot on a week long holiday in Madrid, Spain. The scans that came back from my local lab had me transfixed. I couldn’t tear my eyes away from the vibrancy of the reds and yellows. They popped so brightly against the grey and brown of the city in winter. I w...
  • An Unexpected Love My love for Iceland was born unexpectedly, I absolutely didn’t see it coming and it washed over me like a tidal wave in a monsoon.  We were planning a holiday of a lifetime. Somewhere with beautiful scenery to photograph, that was the only stipulation. It was more of an exploring holiday rather than the usual beach holiday we were used to. Countries were thrown in the ring, I really wanted to go to Sweden and my husband threw in Iceland. It’s like I didn’t even know it existed ...
  • In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints. The Concept At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
  • The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...
  • In week three of our behind the film series we're heading to our technical department to meet our Technical Service Manager Neil Hibbs. Who are you? What’s your job title HARMAN technology and how long have you worked here? Neil Hibbs – Technical and Lab Services manager Tell us a little about your day to day role. I manage a small team offering technical product support, both internally (to manufacturing and marketing functions) and externally to our worldwide customer base. I also set-up the Ha...
  • Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
  • One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene. I think there is a greater expectation for colour film to be a representati...
  • When an image that we share or re-gram gets a lot of interest, we like to get in touch with the photographer and find out a little more about the process that went into creating it. Le Lac du Brévent Technical info Film Used Ilford XP2 Format 135 35mm Camera       Olympus OM-10 Lens Zuikon 35mm f2.8 Exposure time I don’t really remember, I think it was something like f8 at 1/250 or 1/500 Location Lac du Brévent, Chamonix-Mon-Blanc, Savoie, Alpes, FRANCE   Firstly, tell us...
  • This week for our 46th In Focus interview we are talking to Clara Araujo. A fine art photographer from Brazil whose images explore the dualities and other aspects of the human psyche. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s really hard to pick just one… but probably this self portrait: “The Birth Of Venus”, Body of Water series, 2020. ILFORD Hp5+ 400, Yashica Mat 124g. Just in case anyone doesn’t know who you are...
  • A well know part of the film photography community, especially on Twitter where she goes by @justgispy  We were thrilled when Margaret Fitzgerald agreed to be the subject of this week's In Focus interview. Section 1 Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I can't really say that any one photo I've taken over the years is my favourite, but this one is very memorable. Rolleiflex-TLR,-Ilford-HP5--Church-of-St.-Philibert,-Tournus,-Burgundy I...

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