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My default Choice
Colour photography has been my default choice for a long time. It is how my eyes see the world, it’s what catches my attention, and it’s what brought my back to film photography. My first roll in 2018 was a roll of Lomography 400 shot on a week long holiday in Madrid, Spain. The scans that came back from my local lab had me transfixed. I couldn’t tear my eyes away from the vibrancy of the reds and yellows. They popped so brightly against the grey and brown of the city in winter. I w...
The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
We've admired Tom Kirkendall's beautiful pinhole images and darkroom prints for a while and were thrilled when he agreed to take part in this series and allow us to find out a little more about him in this, our 38th In Focus interview.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite photo??? Now that is a difficult decision. In the words of Ansel Adams “It is the one I have not taken yet” But if I am pressed to make a decisio...
In week three of our behind the film series we're heading to our technical department to meet our Technical Service Manager Neil Hibbs.
Who are you? What’s your job title HARMAN technology and how long have you worked here?
Neil Hibbs – Technical and Lab Services manager
Tell us a little about your day to day role.
I manage a small team offering technical product support, both internally (to manufacturing and marketing functions) and externally to our worldwide customer base.
I also set-up the Ha...
This simple guide will show you how easy it is to erect your ILFORD Pop Up Darkroom.
Before assembling ensure that you have sufficient floor space and height:- The external metal frame is approximately 2.2m tall and the internal space is 1.3 x 1.3m. If you are choosing to attach a fan / air blower to the lower vent on your pop up darkroom then this will cause it to expand slightly.
Open the storage case and remove the poles, groundsheet and pop up darkroom.
Move the groundsheet out of the way f...
Interview number four in our Behind the Film series is with International Sales Manager and relative film newbie Alex Hancock.
Who are you? What’s your job title HARMAN technology and how long have you worked here?
I am Alex Hancock and my role is International Account Manager. I've been with HARMAN for 3 years now.
Tell us a little about your day to day role.
My role is to support our international partners who manage the brand and sales in countries around the world. I work directly with all of thei...
I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely.
Why ILFORD XP2 Super?
I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...
Time to go green?
As the threat of the climate crisis grows each day - we must strive for sustainability in all aspects of life. But when standing atop a cliff shakily clutching your 5x4 camera, or working under the red light of your local darkroom - sustainability can seem like a distant concern, reserved for those in stuffy offices or holding placards outside of parliament.
As analogue photography has always been eager to embrace innovation in the face of change - is it time to go green?
My name is...
Melanie King was first introduced to us by Lucy Ridges, and since then we have heard her name mentioned from several different people. It was fantastic to be able to learn a little more about her when she agreed to take part in this series.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favourite image is Ancient Light, Emiliano Cardone Observatory, Casalattico, 2018. This photograph was produced when my collective, Lumen Studios, ran an...