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This image was one of the most popular that we shared on our Instagram feed last year so we reached out to @35.raw the photographer behind it to find out more.
TECHNICAL INFO
Film Used: Ilford DELTA Professional 100
Format: 120
Camera: Mamiya RB67
Lens: 50mm
Aperture: F32
Other equipment: Red Filter
Location: San Francisco
Firstly, tell us the story behind this image. What inspired you to shoot it?
One of the first stops we always do when going to the Bay Area is the Golde...
A slice of London
Isle of Dogs is the name of my second self published zine under Ducksale Press, a zine publishing project my friend James Moreton and I started a couple years ago. Isle of Dogs is also a slice of London: overdeveloped, underfunded, home to locals who were born on the island (“islanders”) and immigrants alike. But because the Thames makes a distinctive U shape around it, the Island stands out on a map or when viewed from a plane. I've recently learnt that German bombers, despite a Lond...
We're heading back to October last year when Arkadiy Shlein nominated Oleg Kasko to take part in this series after following his Instagram feed. Oleg is a photographer and passionate darkroom printer and advocate from the Ukraine.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I like this one because when you look at the photo you see a boat surrounded by white like milk, water. Although in fact it was taken at night. I decided I would leav...
The last days of Summer
As the last days of summer drew to a close I worried about the stock of low ISO films I'd accumulated. As much as I’ve enjoyed my film only ventures over the last year I do worry about the availability of light in London where I do the vast majority of my shooting. Due to limited storage space I can only commit to shooting so many rolls at once, and with the long, bright days diminishing I needed to make sure I had room for as many 400 speed films for pushing (HP5+ & Delta 400...
Even when you have a love of film and traditional darkroom practices, there’s always room for alternative photo process experimentation as ecological photo-artist Josie Purcell knows well.
OVERVIEW
I am a photographer, but trying to explain that I specialise in photographic processes that may not include a camera has led me to describing myself a photographic artist.
My passion for photography began in secondary school. There was a darkroom in the art class, but it was never used; it acted like a bea...
An Unexpected Love
My love for Iceland was born unexpectedly, I absolutely didn’t see it coming and it washed over me like a tidal wave in a monsoon. We were planning a holiday of a lifetime. Somewhere with beautiful scenery to photograph, that was the only stipulation. It was more of an exploring holiday rather than the usual beach holiday we were used to.
Countries were thrown in the ring, I really wanted to go to Sweden and my husband threw in Iceland. It’s like I didn’t even know it existed ...
After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published.
1987
In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...
Another great week for #ilfordphoto #fridayfavourites with plenty of great #ffheight images to choose from. Thank you to everyone who shared with us on Twitter and Instagram. These are our favourites this week
my7views The Crane Houses in Cologne, by Hadi Teherani.(Taken with Olympus OM-1 on Ilford Delta 100.)#fridayfavourites #ffheight
@dmbloor Looking (or locking) down. Near Etruria Industrial Museum in Stoke-on-Trent. Canon EOS 5 (that is film not D !) on #ilfordphoto #Delta400 for this week's #f...
Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...