Search results for: 'deep but do'

As well as being a photographer and darkroom printer, our 27th 'In Focus' interviewee Max Bedov also custom makes darkroom equipment based on his years of experience. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This frame was taken in Provence on Ilford film Delta400 exposed as 640. Generally I am not keen on an astrophotography but this particular shot is very memorable to me for a several  reasons. 2016 -Alpa SWA 6x9 -DELTA 400 -Provence - MG...

A chronic case of GAS To cut a long story short. In a previous life, i.e. before kids, I suffered a chronic case of GAS (Gear Acquisition Syndrome) and ended up as the proud owner of a Richard Ritter 7x17” Ultra Large Format View Camera. As every GAS sufferer believes, buying your way out of limited talent is the only path to follow. The plan was to produce stunning panoramic negatives for Platinum/Palladium contact printing. The combination of huge negatives, old school contact printing and expensive em...

My kids are a bit in awe of the week's In Focus interviewee and it takes a lot to impress them! Ryan Loco is perhaps best know for shooting fights, be that bare knuckle MMA  or WWE. More recently he has focused more on portrait photography and his images speak for themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This is difficult for me, as I have a hard time liking any photo I take. But, since I have to choose, I'll use recency ...

Growing pains The downtown skyline of Oakland, CA sky looks different now. Everyday new cranes tower over the city, stacking up floors of new condominiums and office buildings in the blink of an eye. The constant construction sounds echo the town’s growing pains, all the while a movement of artists from the soil work to maintain and preserve the heart, soul, and true voice of this beautiful city. As you travel downtown on 18th st towards Telegraph Ave, you will catch a stunning new photo mural on the sid...

Urban Lives and the Natural World I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project. There's a little bit of history in this direction with work from grea...

One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...

The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...

Taking Risks Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs. I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish. A retrospective This is something I r...

Light in the Dark Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right. I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...

During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative. Cyanotype   A lonely weed The local darkroom re-opened for half-day s...