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At the time I got back into film again I happened to be taking an evening course in portrait photography at a local college. The usual mix of Canon & Nikon shooters with a mirrorless Sony thrown in for good measure. As usual, we were chatting about our weekend shoots and (obviously) latest purchases. When I said that I had bought a Nikon FE and some film (it was Ilford Delta 100) you could have heard a pin drop.
So while we shot our various lighting setups with our D610s, D800s, Canons etc I would o...
Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results.
Over to you #EMULSIVE
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published.
Well, we’...
Where the Hasselblad love started
long, long time ago, I can still remember how—
Hang on, let me start again…
When I were a lad, mankind did something utterly astonishing: men walked on the moon.
For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me.
For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...
A little background
I was born and raised in Caracas, Venezuela. My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...
I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work, including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work.
I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits.
Why do I take street portraits?
There’s two main reasons I do it, and I’ll try to go through them succinctly:
It’s not easy
...
Large Format black and white film
We don't think there's anything quite like an image that has been shot on large format black and white film.
These are this weeks #ilfordfridayfavourites
@duarte_photo Clay Deposits in Wellfleet. Wonderful day making this print. #largeformatphotography #darkroom #welfleet
@jwphotographyuk Fungi. Only lasted a few days and was lucky to get some sun on them for a brief period.#autumnwatch2017 #ilfordfridayfavourites #largeformat #ilfordfp4 #4x5 #bnw #i...
Nolton Haven
Technical info
Film Used FP4+
Format 35mm
Camera Nikon F2
Lens 20mm F3.5 AI. 25A red & 2stop ND filters.
Exposure time 30seconds
Other equipment Manfrotto tripod, Weston Lightmeter.
Location
Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales. It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.
Firstly, tell us the...
Tranquility
Alan Brock searches for a sense of calm in his images. He shares how he achieves it below
Technical info
Film Used: Delta 100
Format: 4x5
Camera: Intrepid 4x5 II
Lens: Nikkor 180mm f/5.6. Shot at f/45
Exposure time: 40s
Other equipment: Gitzo 1545T Tripod
Location: Parksville Lake Tennessee
Firstly, tell us the story behind this image. What inspired you to shoot it?
I like to search for a sense of calm in my images. In a lot of ways this fits my...
It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case.
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here).
For those of you who haven’t shot this film before, this review will give you my tak...