Search results for: 'parts'

There are so many of Ari's images that we have admired over the past 12 months so asking him to take part in this series was an easy decision. We're just glad that he said yes! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? As we age, time becomes more and more valuable. Every new second is a bigger portion of our future life than the one before. Time is the only thing we cannot buy more of, but we can freeze it with photography. A photog...

And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head. Inhabitants Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...

British Culture Archive If you go to the Refuge in Manchester, you’ll find an exhibition of photographs by the renowned photographer, Tish Murtha, and a selection of my work from East Manchester. This is the latest exhibition from the British Culture Archive, but there’s more than photographs on show. It’s a commentary that began forty years ago when Tish Murtha took photographs in Elswick, Newcastle. It was taken up twenty years later when I took these photographs in East Manchester and the story ca...

When I told my friend that I was going to write a piece explaining why I chose to shoot the Pride event in Salem, Massachusetts in black and white, she just laughed and told me to get on my soapbox. I'm not sure what a soap box is but if it helps me explain why I think that black and white film is incredibly important as a medium and not “old fashioned” as some think, then I'm on it. Bring me a soapbox! How it Started This started when I posted a photo on Instagram of a couple sharing a kiss at the ...

Part 1: We’re Going to Be Friends My story with Ilford SFX began as many stories do: an impulsive act. I saw it while standing in line at my favorite camera store. Small boxes stacked neatly in a bin. Pattern and repetition. White, black, and purple. Great marketing at work. In hyper-cut scenes that would make Edgar Wright jealous, ten boxes of 120 film were in two rows in front of the clerk. He peered across the counter at me. He looked at the two rows of film and raised his eyebrows as if he was get...

You've had a couple of weeks to share shots for today's #ilfordphoto #fridayfavourites theme of #pushedfilm.  And, there were far more images than usual for us to choose from because of this. It was unusual to see so many pushed shots on our DELTA films too.  Choosing just five was a tough job this week   @adiw1202 "Nap time" - HP5 pushed to 1600 #ilfordphoto #fridayfavourites #pushedfilm   @kostamuksendee Oh, you want #pushedfilm I have once shot Delta400 at 12800 (EOS-1 matrix me...

For many years I have been disillusioned with what direction my photography career was moving in. The overwhelming abundance of images from digital capture. The demise in a true art (in my mind anyway) of images being overcooked and very unnatural at times. However thankfully I got back my Mojo by selling every bit of digital kit I owned. It felt like a total weight of my shoulder. I needed this new direction and to learn a totally new discipline. Taking my work that extra step further I decided to go to ...

Perhaps best known for his role in the Netflix show The last Kingdom, we talked to James Northcote about his film photography for our 64th In Focus interview this week. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is a shot I took during the final season of the Last Kingdom. After Season 2 I started tying a point and shoot on the inside of my costume so that I’d always have a camera with me wherever I was. It didn’t matter if I w...

Our 65th In Focus interview is with film photographer and laboratorist Amanda Monasterio, who used multiple exposures in their work to represent feelings and temporality. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image ever photographed with ILFORD is definitely this one and it's from my project called "Asterismos" (Asterisms). This project draw parallels between the imaginary of being and inhabiting a body. My ancestors, t...

For our 68th In Focus interview, we speak to landscape photographer Bill Brooks. Bill enjoys photographing the landscape. He is particularly interested in how it has been affected by those who have gone before us and how it impacts the lives of those who occupy it today. His work is influenced by painters and writers as well as other photographers. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? A recent favourite is Sullington Yew, from my ...