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Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
HUNTING ISLAND XVI, 2018
Technical info
Film Used Ilford Delta 100
Format 4x5
Camera Chamonix 045N-2
Lens Fujinon SW-90
Exposure time Approx.2 minutes
Other equipment Sand & shells, to taste.
Location: Hunting Island, South Carolina, US.
Tell us the story behind this image. What inspired you to shoot it?
This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
It's been so much fun this week looking through all of the #fridayfavourites #filtered shots and finding out out what your favourite combinations are. The most popular combinations that we've seen are FP4+ with a yellow filter and HP5+ with and orange. There were also some fantastic shots on SFX with a variety of red filters.
It was a tough choice, but these are this week's favourites.
@Hier_komt_Alex Sailing ship inspired footbridge near Amersfoort train station #ilfordphoto #fridayfavourites #fil...
The Outlaw Project shooting portraits with a large format camera
The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera.
In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...
Beginnings
I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work. I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences.
I shoot all my projects in medium format film. I do use digital, but only for commercial photography or for working on reports.
Materials ag...
Terrain
This project recently exhibited at the Golborne Gallery, London
Road Trip
All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again.
Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape.
The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...
There was this one scene I wanted to capture. I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak. Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface.
...
Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results.
I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style.
Shades of Autumn
I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...
Sharing the skills and the passion
My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography
Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...