Search results for: 'is the roll in format'

Our XP2 SUPER film is fantastic for scanning as it works with Digital Ice so we had high hopes for this weeks #ilfordxp2 #fridayfavourites. Did you know you can shoot XP2 SUPER at different speeds from 50 - 800 asa on the same roll and process as standard C41? moodymcmoodersn Inside the Octagon Tower of Ely Cathedral Canon AE1 Canon FD 50mm Prime Lens #Ely #catherdral #cambridgeshire #shadows #light #contrast #CanonAE1 #ilfordxp2 #35mmfilm #filmsnotdead #abstract #blackandwhitephotography #bnw #black...

A recent development Photography on film is a recent development in my workflow , (My black & white solution), and I have been making an effort to shoot film alongside digital on all of my major assignments, as well as for my personal work. It only took one assignment for me to realize that although the use of film was novel it wasn’t offering anything different to my ability to tell a story within a 35mm frame. There are so many ways to achieve a different “look” to your images, usu...

Road Trip In October of last year, I sold most of what I owned at that time and went on a 10,000-mile road trip across the American West, capturing all of it on film. Among the few possessions I brought with me, my reliable medium format camera Bronica SQ-Ai and 100 rolls of ILFORD HP5+. Along the way, I photographed the tallest trees on Earth, the coastal Redwoods in Northern California; the volcanoes of the Cascades in the Pacific Northwest; the oldest trees in the world, the Bristlecone Pines in t...

Heading West Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts. While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment. My focus was on which...

The Outlaw Project shooting portraits with a large format camera The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera. In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...

Crumble We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image. Technical Info Film Used: Ilford HP5 PLUS Format: 120 (6x7) Camera: Mamiya RB 67 Pro-S Lens: 90mm/3.8 Mamiya Sekor Exposure time: 1/100 Other equipment: Changing bag with an extra 120 spool. Location: Top—Philadelphia, PA | Bottom—Bradley Beach, NJ Firstly, tell us the story behind this image. What inspired you to s...

Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...

London Fashion Week Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...

Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...

Thank you In 2018, we invited the global analogue film photography community to take part in our latest film users survey. The survey, which attracted 2100 participants when it was last conducted in 2014, grew to over 6,800 participants from 100 countries this time around.  This was largely due to the help received from the fantastic film community in sharing it far and wide on social media, blogs and forums, so thank you. While many of the results are in line with the growth seen since the re-emergenc...