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The Truth Is It is always with regret when I say that I never had a formal arts education. The truth is, growing up, I devalued the ability of taking a ‘decent’ picture along with whether I could kick a ball with my left foot (I can) or produce a winning back hand on the tennis court (I can’t). Photography was for holidays and special occasions and not much in between. In the days before social media and personal websites, a work colleague once asked me for printed copies of my photos after a trip to...

We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series. Image Title River Of Light TECHNICAL INFO Film Used ILFORD FP4 Plus Format 120/617 Camera Linhof Technorama 617s III Lens Schneider 250mm Tele-Xenar Exposure time 1 second Other equipment Gitzo Explorer Tripod, Lee 100 red filter Location Ober Goms, Geschinen, Valais, Switzerland F...

Join us while we chat with freelance photographer Dominik Friess, who is our 76th In Focus interviewee. Dominik's main focus in photography is portraiture, as it is the form of photography that resonates with him the most because of the uniqueness and depth that each person carries within themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I don't believe I have an 'all-time favorite' as such. I've taken many photos on ILFORD fil...

Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...

Film: ILFORD Delta 100 - Camera: Minolta X-370s - Cemitério dos Prazeres, Lisbon. Hatching The story of my involvement with film photography is also a story of rebirth. I was first born and raised in Brazil, in an arid and hot region known by the motto “land of light”, but I was then born again under my current name, Laura, just a few months before moving to Lisbon, Portugal. As any transgender person should know, having your new identity accepted by previous family members, acquaintances, can be an...

Perhaps best known for working at The Darkroom Lab, this week we talked to Trev Lee about his film photography. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? ILFORD FP4+ One of my all time favorite shots on ILFORD film was captured on FP4 Plus 125 with a Nikon FM3A and Ultron 40mm. It is a shot I have taken before on HP5+ a couple months prior - I love the texture of the tree which is framed by the squiggly lines of a a bicycle rack bu...

The Dynamic There is something distinctly different about photographs of cities versus rural areas. The variations of negative space, the intensity of nature versus people, and the rhythm of light that exists in these places; all contribute to the dynamic of a photograph. Personal Goal Last March, I made a trip to Colorado and the Grand Canyon to visit two of my best friends. I went on this trip carrying more black and white film. My favourite ILFORD film is HP5+. It’s my personal goal to photograp...

What would happen if I dedicated myself entirely to film photography? More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...

Introducing Susie Jones, our 78th In Focus interviewee. Susie is an artist, songwriter and musician based in the Northwest of England, find out why analogue photography is her latest expression. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Jumping straight in with the difficult questions here. I find it impossible to choose favourite images, it constantly changes. We see so much of ourselves and our current state in images and how we rela...

We are guessing you are as excited as we are about this week's 'How I Got This Picture' interview with Amir Amiri. Discover how Amir creates this phenomenal long exposure dance shots. Image Title Reverie TECHNICAL INFO FILM USED Kentmere Pan 100 Format 35mm Camera Canon A1 Lens 50mm f1.8 Exposure Time Between 10 to 12 seconds Other Equipment 2 studio flashes and one tripod FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? I was trying to make som...