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When the streets become unbearable
I’m not so good with words, but that’s probably why I love photography. I can let the photos I make speak for themselves. The death of George Floyd, back in May of last year, hit me hard. So much so that I went out a did what I usually do when stress becomes unbearable, I make pictures. I grabbed my Nikon F and Nikon FE, grabbed some HP5 and FP4, and headed out to clear my mind, and see what I could create.
While stopping at some familiar spots in downtown Colu...
We all enjoy shooting film. This week for our #ilfordphoto #fridayfavourites #funonfilm theme we asked you to share that joy and share shots of people having fun. Or, shots or prints that you had fun making.
@CMFleming70 This is an “elfie”... #panfplusHahahahahahahahahahahahahahahahahahaahahahahah ahhh elfie....
This cool stop animation was created by @thedarkshed on #ilfordfp4
@joserenteria73 · There you go. My #darkroom #funoffilm #funonfilm #fridayfavourites @ILFORDPhot...
A chance encounter
We started to make this work roughly ten years ago, after a chance encounter on a photo sharing platform. This led to a mutual appreciation of each other's work and we found that we both saw the potential of the landscape to resonate with inner experience and make it visible.
We were both using a camera called a Holga. An incredibly simple plastic medium format camera known for its low quality lens which produces a very dreamy aesthetic, frequently including lens flares and vignetting...
We're letting you back behind the film again to meet some of the passionate people who are part of making the products that you love. This time we talk to Becky and she shares some of her film photography with us.
INTRODUCTION
Who are you? What’s your job title HARMAN technology and how long have you worked here?
I’m Becky, an Apprentice Scientist and I’ve worked here for 2.5 years.
Tell us a little about your day-to-day role.
I work in the lab prepping formulations, carrying out raw material r...
THE ILFORD PHOTO ANNUAL ULF SHEET FILM ORDERING WINDOW FOR 2021 IS NOW OPEN!
For the 16th consecutive year, we're giving photographers the opportunity to order selected custom sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity.
We know many of you look forward to this and, despite the delays caused by COVID-19, we remain committed to running this campaign. ULF photographers have until Friday 20th August 2021 to place their orders with...
Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...
In week three of our behind the film series we're heading to our technical department to meet our Technical Service Manager Neil Hibbs.
Who are you? What’s your job title HARMAN technology and how long have you worked here?
Neil Hibbs – Technical and Lab Services manager
Tell us a little about your day to day role.
I manage a small team offering technical product support, both internally (to manufacturing and marketing functions) and externally to our worldwide customer base.
I also set-up the Ha...
This simple guide will show you how easy it is to erect your ILFORD Pop Up Darkroom.
Before assembling ensure that you have sufficient floor space and height:- The external metal frame is approximately 2.2m tall and the internal space is 1.3 x 1.3m. If you are choosing to attach a fan / air blower to the lower vent on your pop up darkroom then this will cause it to expand slightly.
Open the storage case and remove the poles, groundsheet and pop up darkroom.
Move the groundsheet out of the way f...
A scene that screams colour
Have you ever been out with your camera, loaded with your favourite black and white film stock and found a scene that screams to be shot it colour? Of course you have, we have all been there!
Today I am going to introduce you to a new 150 year old process called Trichromy also known as the three colour process or more recently Trichromes (by Jasper Fforde). As with all early photographic techniques it's difficult to say who coined the process first as there were many people w...
During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative.
Cyanotype
A lonely weed
The local darkroom re-opened for half-day s...