Search results for: 'trai helps'

Portraits Of Strangers I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...

Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...

The Outcome I am known as a black and white Photographer. I always prefer shooting in black and white. It helps me convey the concept of the image formed in my mind , through my photography. Another reason that always motivates me is the precedence of form over colour. However, sometimes I choose to shoot in colour to see the different outcome's. The outcome is usually that I should never shoot in colour because the type of light I shoot with isn't usually compatible for colour photography. My Favouri...

Join us while we chat with freelance photographer Dominik Friess, who is our 76th In Focus interviewee. Dominik's main focus in photography is portraiture, as it is the form of photography that resonates with him the most because of the uniqueness and depth that each person carries within themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I don't believe I have an 'all-time favorite' as such. I've taken many photos on ILFORD fil...

It was the perfect film to learn with I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...

This week we interviewed Berlin based, portrait photographer Jakob Stolz for our 'In Focus' series. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? To me this is my most personal photograph I've ever taken. It's my grandfather Kurt who passed away last year at the age of 87. All his life he lived in Duisburg, Germany and worked as a carpenter. I started photographing him 7 years ago and continued so to the very end. These photos are very clo...

The lessons I’ve learnt I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time. If you have any questions I could talk about double exposure for hours and go into a huge amount o...

Say Hello Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...

Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...

Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...