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Making the Most of Life Around Me
I don’t really remember a period of my life when I wasn’t making photographs. My mother got me my first point and shoot camera when I was about five. It was an ‘Action Man Spy Camera’ that took small 110 roll film. I loved the idea of blending in with a camera, trying to document what was going on around me without actually disturbing anything. I still love that.
Isaac Lismore Australia
When I was a teenager, I developed a great appreciation of skateboarding...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
The future of photography
The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers?
Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues.
There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...
Early Experiements
Many, many years ago I experimented with uprating HP5, I was a student and it fitted the look I was after at the time. In those days, information was difficult to find and I relied on advice from friends. As a student, the mysteries of film and processing were fascinating and strange. I tried all sorts of things, but didn’t know what was really going on. I knew that uprating meant setting a higher speed (ASA in those days) on your light meter and then giving it a longer development tim...
Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...
Is it really 10 weeks since we started this series? It feels so much shorter than that. If you have an Instagram account we are sure that you will recognise our 10th interviewee Jahan Saber, if not by his name then by his tag @doyoudevelop.
Jahan was nominated to take part by Dan Rubin in week 6 and we're so glad that was happy to get involved.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
There are so many, so here’s a recent ...
Balance
Like many photographers these days, I balance a busy day job alongside a family life. I try to be good a community member, share my thoughts and experiences and sometimes, perhaps, inspire one or two. In the background I have long held an aspiration to become a successful professional photographer, something i'm still working towards.
Like all of us I suspect, finding something to focus on, photographically, can be a challenge when life is so busy. The majority of my casual photography currently...
When we saw that Kit Young had chosen Tyler as his nomination it definitely made us smile. We've shared several of Tyler's IG images in the past and enjoy browsing his feed when we get the chance.
Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Picking only one is an impossible choice! A favourite of mine is a contact print made from an 8x10 negative using FP4+, Ilford MGFB Glossy paper and selenium toned. I used my Chamonix 810V field camera and the ex...
An empowering project
Sirkhane Darkroom is a mobile analog photography workshop for refugee, local and vulnerable children on the Turkish, Syrian and Iraqi border in Mardin City.
It’s an empowering project that brings together children from different backgrounds through photography. It’s also a project that shows the world photos taken by non-adult photographers, photographs from the eyes of children.
The Workshops
The Sirkhane Darkroom program consists of several workshops. In the first works...
The passion
My passion for cycling has fuelled this project, Riding the Boards surveys cycle velodromes across the United Kingdom, these spaces are a hallowed ground for cyclists.
Memories
Competitively the race depends on a good start, it can be won or lost at the first corner. However the curves on the circuit; the corners, the banking, the lines, are the vital parts in the making of a velodrome track. The projects main interest became the view of the first corner, from the start line. Framing the ...