Search results for: 'soft len du'

A scene that screams colour Have you ever been out with your camera, loaded with your favourite black and white film stock and found a scene that screams to be shot it colour? Of course you have, we have all been there! Today I am going to introduce you to a new 150 year old process called Trichromy also known as the three colour process or more recently Trichromes (by Jasper Fforde). As with all early photographic techniques it's difficult to say who coined the process first as there were many people w...

Light and Details Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the images to things more important, like light and details often missed in the distraction of colour photographs. When I started out photographing, I was mostly documenting my close friends and...

One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene. I think there is a greater expectation for colour film to be a representati...

In our digital age, film photography can appear to be expensive and risky but it has challenged me to learn the process involved in taking a photo that captures my intent and tells a story, creating a real sense of achievement. Over the past year, my confidence in using the medium has grown which is driving me to experiment more. In a world where the media can manipulate colours to affect the audience’s perception, black and white film uses alternative techniques. For example, in colour, red often conn...

There are so many of Ari's images that we have admired over the past 12 months so asking him to take part in this series was an easy decision. We're just glad that he said yes! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? As we age, time becomes more and more valuable. Every new second is a bigger portion of our future life than the one before. Time is the only thing we cannot buy more of, but we can freeze it with photography. A photog...

A regular contributor to conversations on film and analogue photography and always happy to share her knowledge and support other photographers. This week's In Focus interview is with Paula Smith. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favourite images. This was taken in New Zealand on a crisp sunny winter’s day. The light was beautiful and I loved how it picked up the chicken wire on the jetty. It brings back great memo...

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It is difficult to choose one favourite image. They shift and change as ...

We recently shared Trevor Hong's photograph 'The Last Empress of Vietnam' on our Instagram and the response was fantastic so we got in touch to find our how he made it. Technical Info - Film Used ILFORD Delta 100 Format 4x5 Large Format Camera Toyo 4x5 Lens Schneider Kreuznach 150mm f/5.6 Exposure Time 1/30th second Other Equipment Octagon softbox, Sekonic lightmeter Location Ho Chi Minh City, Vietnam The Last Empress of Vietnam Firstly, tell us the story behind this image. What inspired...

Whether intentional using filters, (or a smear of vaseline), or by accident, soft focus images all have a certain 'feel' to them. It was this that we asked you to share for this week's #ilfordphoto #fridayfavourites #softfocus theme. It was a popular theme with a lot of entries which we've enjoyed looking through this morning. A huge thank you to everyone who shared their images. Our favourites are below. @LaurensWillis Perhaps a pinhole image for #ilfordphoto #fridayfavourites #softfocus ? Zero 45 w...