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Window Cleaners shot on ILFORD XP2S
An unknown language
When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time.
Expanding my understanding
Recently however I have been looking for different ways to expand my und...
An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
Underbank Old Road
Technical info
Film Used Ilford HP5
Format 35mm
Camera Rollei B35
Lens 40mm Triotar
Exposure time 1 minute 30 sec at f11
Other equipment Manfrotto Art 055 tripod, Gossan Lunasix F light meter.
Location.
Underbank Old Road, Holmfirth, West Yorkshire.
Firstly, tell us the story behind this image. What inspired you to shoot it?
I used to shoot a lot of Night photographs, in fact I wrote a book about it in 2001 (Nigh...
Our XP2 SUPER film is fantastic for scanning as it works with Digital Ice so we had high hopes for this weeks #ilfordxp2 #fridayfavourites.
Did you know you can shoot XP2 SUPER at different speeds from 50 - 800 asa on the same roll and process as standard C41?
moodymcmoodersn Inside the Octagon Tower of Ely Cathedral Canon AE1 Canon FD 50mm Prime Lens #Ely #catherdral #cambridgeshire #shadows #light #contrast #CanonAE1 #ilfordxp2 #35mmfilm #filmsnotdead #abstract #blackandwhitephotography #bnw #black...
Road Trip
In October of last year, I sold most of what I owned at that time and went on a 10,000-mile road trip across the American West, capturing all of it on film.
Among the few possessions I brought with me, my reliable medium format camera Bronica SQ-Ai and 100 rolls of ILFORD HP5+.
Along the way, I photographed the tallest trees on Earth, the coastal Redwoods in Northern California; the volcanoes of the Cascades in the Pacific Northwest; the oldest trees in the world, the Bristlecone Pines in t...
Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
The Outlaw Project shooting portraits with a large format camera
The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera.
In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...
A quick look through your images this morning, showed a great selection of black and white film shots for today's #ilfordphoto #fridayfavourites #speed theme. Check our our top picks below.
@thomas_main Cyclist for #ilfordphoto #fridayfavourites #speed shot on #ilfordpanf with a #fujifilm #GX617 panoramic camera.
@EMULSIVEfilm For @ILFORDPhoto #fridayfavourites #speed: my moment of impact. This shot cost me three fractured vertebrae and over six months of physical therapy pre...
London Fashion Week
Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...