Search results for: 'multigrade glossy'

There was a lot of interest in this shot when it was shared on our Instagram feed, so we asked Kim Mimnaugh & Jess Martineau to tell us a bit more about it. Image Title Water Goddess:Triple Exposure Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 501 CM Lens 150mm Exposure time 3 exposures on one piece of film 1/60th at f8 Other equipment Studio stand, sekonic flash meter, black velvet for the background Speedotron location lighting kit, one strobe set at 400 WS with...

We are heading to R&D to speak to Calvin Carey, our 13th Behind the Film interview. Calvin is a Physicist here at HARMAN Technology. Find out more about what his role entails. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Calvin Carey, and I work as a Physicist here at HARMAN. I started in 2019. Tell us a little about your day to day role. My day-to-day work is hugely varied, depending on which projects in R&D (research and development) or m...

Introducing our 15th interviewee and one of Film Finishing's newest team members, Paul Cliff. Who are you? What’s your job title at HARMAN technology and how long have you worked here? My name is Paul Cliff and I have been with the company since February 2023. Tell us a little about your day to day role. I work on our 120 roll film spooling machines. I love everything about it. It’s been like taking control of a classic car, learning all its idiosyncrasies and intricacies; it’s an absolute mar...

Laura Cogan grants us an exclusive glimpse into her creative process and the techniques that brought forth this beautiful masterpiece. Image Title Isolated Church Technical Info Film Used ILFORD DELTA 100 Format Medium Camera Hasselblad 500cm Lens Hasselblad 180mm Exposure time f4 at 1/500 Other equipment Manfrotto 190CXPRO4 tripod and Sekonic flashmate L-308S lightmeter Location Snæfellsnes, West Iceland - the church is called Breiðabólsstaðarkirkja Firstly, tell us the story behi...

“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...

The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...

Stave Lake Historical Powerhouse One of the genres of photography that I seldom get to experience is that of industrial photography. However, there is one exception in my vicinity at the Stave Lake Historical Powerhouse - a national historic site of Canada, which started producing hydro-electric power in the early 20th century until a modern replacement in the year 2000 took over the job. Perhaps growing up on the prairie has instilled in me an affinity for industrial machinery and when I found a historica...