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An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
An Interest in Large Format
Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format.
I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
HUNTING ISLAND XVI, 2018
Technical info
Film Used Ilford Delta 100
Format 4x5
Camera Chamonix 045N-2
Lens Fujinon SW-90
Exposure time Approx.2 minutes
Other equipment Sand & shells, to taste.
Location: Hunting Island, South Carolina, US.
Tell us the story behind this image. What inspired you to shoot it?
This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
Violin
Technical info
Film Used: ILFORD HP5 plus 400
Format 120 (6*6)
Camera Hasselblad 503CW
Lens: Planar 80mm f/2,8 CF lens and Makro Planar T* CF 120mm f/4
Exposure time Double exposure (f/5,6 1/30s)
Location: Petrozavodsk (Russia)
Tell us the story behind Violin. What inspired you to shoot it?
I have been working with the Karelian State Philharmonic for many years. The Philharmonic invites world famous musicians for concerts and festivals, and I shoot portraits of those musicians fo...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...
Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results.
I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style.
Shades of Autumn
I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...
I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago.
Odds and Ends
By utilising some of these long-neglected items...
Turning your negatives into positives
Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL
How it works
It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...