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Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy!
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
A well know part of the film photography community, especially on Twitter where she goes by @justgispy We were thrilled when Margaret Fitzgerald agreed to be the subject of this week's In Focus interview.
Section 1 Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I can't really say that any one photo I've taken over the years is my favourite, but this one is very memorable.
Rolleiflex-TLR,-Ilford-HP5--Church-of-St.-Philibert,-Tournus,-Burgundy
I...
We first met Lucy Ridges a few years ago virtually via social media and then in person at The Photography Show and have always admired her work. Her #MyFilmStory video gave us a bit more of a view into who she is and why she shoots film and this In Focus interview builds on that.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is one of my favourite shots from my most recent project, Water’s Edge, released earlier this year. It’s an...
Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming.
Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me:
“Who shapes whom more:...
We hadn't seen much of Asa's work when she was nominated by Melanie King but we're so glad that she bought her to our attention. We hope that you enjoy her images and finding out more about them.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I use a large format monorail camera and shoot on Ilford HP5 Plus 5x4” sheet film. This photograph was shot in Italy during an artist residency at the British School at Rome in 2016. I went there to ...
Small Fishing Village
My Name is Austen Goldsmith I live on top of a hill on the outskirts of a small fishing Village in Cornwall. When a big storm approaches it means many things. It means I will have a bad nights sleep listening to the sound of the roof tiles rattling above my head. It also means that I will have a day off from my work as a fisherman. Most importantly it means I can pack a few rolls of film into my rucksack, figure out when the light will be best and what beach will have the best opportu...
'What are you doing?'
After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...
What it’s like to be a penguin
Possession Island is a rock in the Southern Indian ocean, about the size of the Scottish Isle of Rùm. It harbours a small French research station (a couple dozen people year round), and half a million seabirds. We have been monitoring King penguin populations there for the past decades: fascinating birds, King penguins. They may look clumsy on shore, but each of these little characters has been scouring through the wildest seas in the world, year in and year out, weatherin...
1969
After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
Camera And Us
Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed.
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