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As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
My Approach
It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
World - Museum -Liverpool - 2019 - HP5+
It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
We thought it would be a great chance to chat with Ben Hawkins & Liza Kanaeva-Hunsicker about their book 'Shooting Film'. This book is a beginner-friendly book which introduces curious individuals to the world of analogue photography.
A little bit about yourself
Liza: My name is Liza Kanaeva-Hunsicker, I was born and raised in Moscow, got my Bachelor’s degree in California and have been living and working in NYC for the past 11 years. I’m a multidisciplinary artist working primarily in photography...
'What are you doing?'
After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...
By Early Afternoon
In 1997, while on assignment in Thailand, someone told me that one of the Thai borders with Cambodia was open and letting some people pass by. As a freelance journalist, I realized the opportunity and as soon as I finished my assignment, investigated the possibility of going to Cambodia.
I knew that the UN Peace-Keeping Forces were in Cambodia and the Pol Pot army had mostly surrendered. But that was about it. It took me about two days to decide and prepare myself to go to Cambodia. W...
'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920
Concrete Photography
Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
Our next Community Focus interview takes us to Berlin, where we had the opportunity to chat with Queer Analog Darkroom. They've created an inclusive space for individuals who face barriers to accessing knowledge about analog photography due to discrimination and marginalization, ensuring everyone has the opportunity to learn and create.
SECTION 1 - BACKGROUND
LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED.
Queer Analog Darkroom (QAD) - is a self-organized, ...