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#ilfordfridayfavourites #Halloween
You shared a spooktacular amount of boo-tiful black and white #spooky #Halloween images for this weeks #ilfordfridayfavourites.
We parked our brooms, dug out the trick or treat candy and chose these scarily good shots as our favourites.
Special congratulations to Ais Chuahiock who shot our favourite image "Catacombs of Paris"
@aisbaby My most Halloweeny shot. Catacombs of Paris, with FP4 (+ very steady hand) #ilfordfridayfavourites #Halloween #believeinfil...
It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case.
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here).
For those of you who haven’t shot this film before, this review will give you my tak...
Tree #8
Technical info:
Film Used: Ilford FP4
Format: 6x7
Camera: Mamiya 7ii
Lens: 43mm
Exposure time: 3 min
Other equipment: Lee Filter holder, Lee 4 stop nd, Lee Red #25 filter, B&W 105mm Polarizer, Gitzo Tiopod, Acratech Ballhead.
Location: Zion National Park
Tell us the story behind this image. What inspired you to shoot it?
A couple good friends of mine who know Zion quite well introduced me to this fantastic little tree last Fall. The tree is about 9 feet tall and high up on a ridge ...
For the love of it all
I’ve always had a love affair with black and white photography. I don’t know if it stems from the excitement of watching my first print emerge under the glow of a safelight, or that using texture and shape can make a barren scene look beautiful. Maybe it’s both.
They say love makes you a better person. I think the same goes for the relationship between film and photographers.
Trust & Understanding
There’s a certain level of trust and understanding that goes on betwee...
Our XP2 SUPER film is fantastic for scanning as it works with Digital Ice so we had high hopes for this weeks #ilfordxp2 #fridayfavourites.
Did you know you can shoot XP2 SUPER at different speeds from 50 - 800 asa on the same roll and process as standard C41?
moodymcmoodersn Inside the Octagon Tower of Ely Cathedral Canon AE1 Canon FD 50mm Prime Lens #Ely #catherdral #cambridgeshire #shadows #light #contrast #CanonAE1 #ilfordxp2 #35mmfilm #filmsnotdead #abstract #blackandwhitephotography #bnw #black...
A recent development
Photography on film is a recent development in my workflow , (My black & white solution), and I have been making an effort to shoot film alongside digital on all of my major assignments, as well as for my personal work.
It only took one assignment for me to realize that although the use of film was novel it wasn’t offering anything different to my ability to tell a story within a 35mm frame.
There are so many ways to achieve a different “look” to your images, usu...
Road Trip
In October of last year, I sold most of what I owned at that time and went on a 10,000-mile road trip across the American West, capturing all of it on film.
Among the few possessions I brought with me, my reliable medium format camera Bronica SQ-Ai and 100 rolls of ILFORD HP5+.
Along the way, I photographed the tallest trees on Earth, the coastal Redwoods in Northern California; the volcanoes of the Cascades in the Pacific Northwest; the oldest trees in the world, the Bristlecone Pines in t...
Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
The Outlaw Project shooting portraits with a large format camera
The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera.
In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...