Search results for: 'art not or separ'

Finnish Darkroom Association In Finland during the early 2000's, as elsewhere, analog photography practice was pushed aside by digital photography. The 2010's saw a rapid decline in the use of darkroom techniques by artists and the almost total disappearance of professional darkrooms and film labs. In 2016, with five other female photography artists all specialising in analogue photography and darkroom work. We founded the Finnish Darkroom Association. The original idea came from photography artist ...

Community Grant Shortlist We received hundreds of applicants for the grant and choosing just 5 for you to vote on is always difficult. Please ensure that you read all of the submissions before casting your vote for your favourite. FLATS Teen Summer Camp - Jessi Bowman We are looking to launch a free summer camp for teens, using our community darkroom to introduce young students to the magic of analog photography. Our goal is to remove financial barriers and create an accessible space where they can le...

Shooting 35mm film Sprockets with Kentmere 400 and a medium format TLR Including sprockets in scans is nothing new but has increased in popularity recently. While the inclusion of sprockets showing the film name looks great, as the photographic emulsion covers the full 35mm width of the film in your cassette, it is actually possible to expose your image beyond the standard 24x36mm frame and cover the entire sprocket area with your image. I thought I’d give this a try with my TLR, so read on below to f...

A Different View After the success of last year’s competition we again opened up entries to students from around the world. There were hundreds of prints entered, all shot on our ILFORD or Kentmere black and white films and printed in the darkroom by the students. The high quality of teaching from lecturers and educators was reflected by the difficulty that the judges had in choosing the winning image for this year’s theme of ‘A Different View’. Winner! As always, choosing the winner was not e...

By Early Afternoon In 1997, while on assignment in Thailand, someone told me that one of the Thai borders with Cambodia was open and letting some people pass by. As a freelance journalist, I realized the opportunity and as soon as I finished my assignment, investigated the possibility of going to Cambodia. I knew that the UN Peace-Keeping Forces were in Cambodia and the Pol Pot army had mostly surrendered. But that was about it. It took me about two days to decide and prepare myself to go to Cambodia. W...

Asphalt Kingdom When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...

The Greatest Gift In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...

A 10 Day Journey After getting home from Scotland in April of 2023, I was left with a good problem – I had way too many images that I loved. A month before, I had taken my Fuji TX1 panoramic camera, and a bag full of ILFORD Delta 400 and 3200, and walked from Milngavie to Loch Ness, a roughly 156 mile route using the West Highland Way and the Great Glen Way. Nights were spent in tents, days were long and energizing, and photographic scenes seemed to be in no short supply at every bend in the trail. Disti...

“You learned the Mr. Miyagi way” Hi, Carlos here, my story with film photography started in the mid 90’s. I learned from one of my neighbours, a former engineer that dropped his career to become a professional fashion photographer He had a nice studio, he was very technical and made me learn all the technicalities before I could even take photos. It was not much fun at first as I was a teenager eager to get out and just shoot photos. Well, my first assignment was to read The Zen in the Art of Archery...

Discover how Zach Nichols created this stunning long exposure shot in our 'How I Got This Picture' interview. We have noticed, if it's not a double exposure, your next favourite has to be nighttime long exposures. IMAGE TITLE Fire Tower Starlapse TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 4x5 CAMERA Chamonix LENS Nikon 90mm f/4.5 Nikkor-SW EXPOSURE TIME 45 – 50 minutes OTHER EQUIPMENT 1 Can of Atmosphere LOCATION Just outside Hot Springs, South Dakota. FIRSTLY, TELL US THE STORY...