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Best known as grainydays on YouTube, our next In Focus interview features Jason Kummerfeldt, who has been shooting film for seven years and shares his journey through photography, from the bad to the good. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is one of my all time favorites and one of my own few pieces I have hanging up in my cramped no-wall-space apartment: I shot it on my Mamiya 7 on ILFORD XP2 if I remember co...

A Place I Have Longed To Visit I am waiting for a bus, destination Portree, Isle of Skye. The midpoint, a bus shelter at Kyle of Lochalsh. It is the pit stop to one of the most beautiful journeys you can make by road and rail in the UK. This is the trip from Inverness to the Isle of Skye.  Though I have been to Kyle before, it is my first time to the Isle of Skye. A place I have longed to visit, and on this occasion, I had more than a desire, I had a purpose. I'm about to spend the next 2 days shooting a ...

Catching Up Pinotepa Nacional, Oaxaca, is a run of the mill small Mexican city—which is to say that it’s pretty cool. There’s a cathedral, a vibrant market, lots of great street food, and a strong sense of community. I lived in Pinotepa for six months a few years ago while I was working on a project and absolutely fell in love with the place. I returned this past December to catch up with old friends and make content for my analog photography YouTube channel. My First Weekend Back I didn’t have a...

Up next in our Community Focus series: we're in London with Rapid Eye, founded out of love for printing in 1996! Find out more below. SECTION 1 - BACKGROUND LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED. Rapid Eye started in 1996 by Lee Williams, born out of a love for printing. I was printing myself with a small team for a few clients but I also loved hosting other printers and photographers. Eventually a small community started to form and we let out som...

Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...

A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...