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One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film. Introduction Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...

After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published. 1987 In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...

One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...

We've admired Tom Kirkendall's beautiful pinhole images and darkroom prints for a while and were thrilled when he agreed to take part in this series and allow us to find out a little more about him in this, our 38th In Focus interview. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite photo??? Now that is a difficult decision. In the words of Ansel Adams “It is the one I have not taken yet” But if I am pressed to make a decisio...

A chance encounter We started to make this work roughly ten years ago, after a chance encounter on a photo sharing platform. This led to a mutual appreciation of each other's work and we found that we both saw the potential of the landscape to resonate with inner experience and make it visible. We were both using a camera called a Holga. An incredibly simple plastic medium format camera known for its low quality lens which produces a very dreamy aesthetic, frequently including lens flares and vignetting...

The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...

THE ILFORD PHOTO ANNUAL ULF SHEET FILM ORDERING WINDOW FOR 2021 IS NOW OPEN! For the 16th consecutive year, we're giving photographers the opportunity to order selected custom sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity. We know many of you look forward to this and, despite the delays caused by COVID-19, we remain committed to running this campaign. ULF photographers have until Friday 20th August 2021 to place their orders with...

Taking Risks Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs. I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish. A retrospective This is something I r...

Reflections on the Materiality of Film, with PANF Plus in the Montana Snow Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image. I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...

This Sunday is Father's Day here in the UK so in a nod to that we asked you to share shots of your Dads for this week's #ilfordphoto #fridayfavourites #filmfathers theme. @Aryel89959692 Here is my submission Smiling face Shot on #fp4+ processed in #ddx #ilfordphoto #fridayfavourites #filmfathers @KevinMo08385174 #ilfordphoto #fridayfavourites   @SBH2O My dad. Shots taken with #leicam3 and @ILFORDPhoto HP5. Scanned with Fuji X-T2. #ilfordphoto #fridayfavourites #filmfathers   ...