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The struggle for life
Black-and-white photography captures so much emotion, and nothing is more emotive than the struggle for life. This insight led to the project GRAPPLERS ON FILM, where I use a number of vintage film cameras to capture the struggles of ordinary people training in the grappling arts of Judo, Wrestling and Jiu Jitsu.
Zenza Bronica - ILFORD XP2
Submission
For those not involved in the grappling forms of martial arts, the goal is to get a hold of your opponent and then force them to...
From hiking to darkroom printing, discover how Macy Lee created this unique print in our latest 'How I Got This Picture' interview.
IMAGE TITLE
Izzy at the Canyon
TECHNICAL INFO
FILM USED
ILFORD HP5+
FORMAT
120
CAMERA
Hasselblad 500C
LENS
60mm
EXPOSURE TIME
5.6 F stop at 60th of a second
LOCATION
The Grand Canyon, South Kaibab Trail
FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
Izzy is one of my best friends, and this was during a long running trip we ha...
Thank you all for your continued support, we love seeing the incredible photography you share each week for #ilfordphoto #fridayfavourites, especially during #themefree weeks.
@MLHannahFineArt. Ryan ranch with the Rollieflex and HP5. Looking forward to taking these negatives into the darkroom. #film #filmphoto #filmcommunity #rollieflex #believeinfilm #bnwmood #bnw #believeinfilm #fridayfavourites #ilfordhp5 #ilfordphoto.
@CBarnePhoto. Piece Hall in Halifax on Kentmere 400 in homebrew rodi...
Slowing things back down
Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...
My camera is a passport to a world of amazing discoveries
My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
The lessons I’ve learnt
I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time.
If you have any questions
I could talk about double exposure for hours and go into a huge amount o...
In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park.
Image Title
Monolith
TECHNICAL INFO
FILM USED
Kentmere Pan 400
FORMAT
35mm
CAMERA
Nikon F5
LENS
Laowa 15mm F4
EXPOSURE TIME
30 minutes at f/4
Other Equipment
Tripod, Remote shutter release
LOCATION
Balanced Rock, Arches National Park, Utah, United States, Earth
FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
...
Dancing in the rhythm of the waves
The dark, silky, smooth waters of the canals are silent now, only a few late boats are disturbing the lights that are dancing in the rhythm of the waves. Where there were armies of city guests, only a few hours ago, clucking happily excited about everything and nothing, now only the locals and the (not so few though) night crawlers of touristic persuasion are to be seen, slowly parading the centuries old worn narrow streets, stairs and bridges. La Serenissima is tired, bu...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
This week’s #ilfordphoto #fridayfavourites was #themefree! A warm welcome and thank you to all the new contributors sharing your work with us, it’s wonderful to see some new faces.
@basbruckmayr hp5+ fridayfavourites.
@jofo_photo. Made with one of my favs, ILFORD XP2 #fridayfavourites.
@seasloth. Shot on ILFORD PanF 50 in washington heights promo for the band Yeller Tooth #fridayfavourites.
@henryb92.bsky.social. St Paul's long exposure on #FP4+ 120. B...