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HARMAN technology announces a brand-new, ISO 200, Black and White film in the Kentmere range
HARMAN technology Ltd, one of the world’s largest manufacturers of analogue photographic films, darkroom papers, and photo chemicals, has today announced the launch Kentmere PAN 200 a brand new, high contrast, black & white film.
Kentmere PAN 200
Kentmere PAN 200 is an ISO 200 black & white film, with enhanced contrast, pleasing, well controlled grain and good sharpness making it suitable for most s...
Connected
Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes.
There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected.
The Beauty of Imperfection
There’s an...
Best known as grainydays on YouTube, our next In Focus interview features Jason Kummerfeldt, who has been shooting film for seven years and shares his journey through photography, from the bad to the good.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
This image is one of my all time favorites and one of my own few pieces I have hanging up in my cramped no-wall-space apartment:
I shot it on my Mamiya 7 on ILFORD XP2 if I remember co...
Our next In Focus interview features Justin Lockey. As well as being the lead guitarist of the indie rock band Editors, Justin is also a photographer, writer, director and producer. When he’s not doing any one of those things he’s asleep, or messing around with cameras, or reading about lenses and optical formulas.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I took this in Venice last year, I was playing around with a rolleiflex ...
A Timeless Story
This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal. One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film.
Each Frame M...
For our 88th In Focus interview we're chatting to Peggy Marsh. A photographer and camera lover, Peggy founded CameraGoCamera back in 2015, initially to keep a track of her own expanding camera collection...
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is hard for me as I never think anything I do is good enough. I am in a constant state of self-deprecation and can be overly critical of my images and projects. I chose the image belo...
These are portraits from this series. This is “Burnt Orange” —- a B&W photo project on evolving identities and third culture experiences through the lens of portraiture. In my experience being able to connect and share so much of intimacy through photography, I first share that with my friends and the people I meet along my many journeys. These are portraits from this series.
Portraiture as a mirror
I didn’t really understand the art of portraiture before thsi project. What it means to giv...
We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom.
Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started.
The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...