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One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film. Introduction Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...

A chance for those of you who prefer non-traditional methods of film development to share your images for this week's #ilfordphoto #fridayfavourites #alternatedev theme. @DavidNee6 #ilfordphoto #fridayfavourites #alternatedev - "Gunner and Cade" on #fp4 developed in Caffenol CM. #pourthecoffeeandCwhatdevelops   @dmbloor Taken, developed and scanned yesterday for @ILFORDPhoto #fridayfavourites Camera #lomography Supersampler Film frames #ilfordphoto Harman Kentmere 100 at 800 ISO Alembic 2 h...

We're letting you back behind the film again to meet some of the passionate people who are part of making the products that you love. This time we talk to Becky and she shares some of her film photography with us. INTRODUCTION Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Becky, an Apprentice Scientist and I’ve worked here for 2.5 years. Tell us a little about your day-to-day role.  I work in the lab prepping formulations, carrying out raw material r...

THE ILFORD PHOTO ANNUAL ULF SHEET FILM ORDERING WINDOW FOR 2021 IS NOW OPEN! For the 16th consecutive year, we're giving photographers the opportunity to order selected custom sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity. We know many of you look forward to this and, despite the delays caused by COVID-19, we remain committed to running this campaign. ULF photographers have until Friday 20th August 2021 to place their orders with...

In week three of our behind the film series we're heading to our technical department to meet our Technical Service Manager Neil Hibbs. Who are you? What’s your job title HARMAN technology and how long have you worked here? Neil Hibbs – Technical and Lab Services manager Tell us a little about your day to day role. I manage a small team offering technical product support, both internally (to manufacturing and marketing functions) and externally to our worldwide customer base. I also set-up the Ha...

This simple guide will show you how easy it is to erect your ILFORD Pop Up Darkroom. Before assembling ensure that you have sufficient floor space and height:- The external metal frame is approximately 2.2m tall  and the internal space is 1.3 x 1.3m. If you are choosing to attach a fan / air blower to the lower vent on your pop up darkroom then this will cause it to expand slightly. Open the storage case and remove the poles, groundsheet and pop up darkroom. Move the groundsheet out of the way f...

A scene that screams colour Have you ever been out with your camera, loaded with your favourite black and white film stock and found a scene that screams to be shot it colour? Of course you have, we have all been there! Today I am going to introduce you to a new 150 year old process called Trichromy also known as the three colour process or more recently Trichromes (by Jasper Fforde). As with all early photographic techniques it's difficult to say who coined the process first as there were many people w...

During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative. Cyanotype   A lonely weed The local darkroom re-opened for half-day s...

After sharing a few of his images in the past, we felt we wanted to know more about Nicolas de Bouville, so he became interview number 42 in this series. We have to confess to a bit of camera envy over his collection! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s so hard to pick one image only. If I think about one of the last series I did, I really like this picture of Alejandro. I’m used to photograph Alejandro in a very differe...

Cabin Fever Tired of COVID 'cabin fever'  I needed to get out shooting so I concocted  a mission to shoot a total of 36 acceptable shots in a 2 day time frame.  Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed. I decided to shoot b&w film.  This would not have been my choice a few years ago but the plethora of  digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...