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Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview.
IMAGE TITLE
Downtown Toronto #2 2023
TECHNICAL INFO
Film Used
ILFORD HP5+ shot at 1600 ISO.
FORMAT
35mm.
Camera
Nikon F3.
Lens
17mm Tokina Prime Lens.
Exposure time
Can't Remember.
Location
This shot was taken looking up into the mist-covered buildings at the intersection of King s...
The Nod
The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
Find out how film made Sebastian Fehse a better photographer and how he creates these masterpieces in 'How I Got This Picture' blog.
TECHNICAL INFO
FILM USED
ILFORD HP5 Plus 400
FORMAT
35mm
CAMERA
Nikon F3/T
LENS
Nikkor Zoom 70 – 200mm f4
EXPOSURE TIME
1/500 at f8
OTHER EQUIPMENT
None
LOCATION
Alpe di Siusi, Italy
FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
I have been to this place and especially the Dolomites already 2 times. So, I knew what ...
Asphalt Kingdom
When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...
With its liberating high speed, and wide tonal range, DELTA 3200 is ideal for fast action and low light photography so we were excited to see what images you chose to share for today's #ilfordphoto #fridayfavourites #ilforddelta3200pulled theme.
@simon_diamond A summer shot for #ilfordphoto #fridayfavourites #ilforddelta3200pulledLeica R4S Elmarit 28mm F2.8 Delta 3200 (pulled 1 stop to 1600) #believeinfilm #photography
@sbills15 Dad after his run. Hasselblad 500CM, 120MM CFi Macro lens and...
We speak to Ki Price, who is this week's In Focus interview. Ki is a specialist photographer renowned for capturing celebrities, portraits, and fashion.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
Tess Parks
My favourite image that I have taken is of singer, Tess Parks. I contacted her on Instagram and said, ‘can we do a shoot if you are ever in London?’ She replied and said, ‘I’m in London at the moment.’ I decided to shoot ...
A 10 Day Journey
After getting home from Scotland in April of 2023, I was left with a good problem – I had way too many images that I loved. A month before, I had taken my Fuji TX1 panoramic camera, and a bag full of ILFORD Delta 400 and 3200, and walked from Milngavie to Loch Ness, a roughly 156 mile route using the West Highland Way and the Great Glen Way. Nights were spent in tents, days were long and energizing, and photographic scenes seemed to be in no short supply at every bend in the trail. Disti...
Environmental Portraits
I started my analogue black and white portraits of artists in spring 2021, the second year of the pandemic. I wanted to photograph actors in Berlin over a longer period of time. This was the right moment because theaters were closed and filming of movies had largely been stopped. I decided to shoot some kind of “environmental portraits” in public spaces. I wanted the location to be part of the portrait. In addition, local health restrictions back then allowed gatherings of exact...
We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series.
Image Title
River Of Light
TECHNICAL INFO
Film Used
ILFORD FP4 Plus
Format
120/617
Camera
Linhof Technorama 617s III
Lens
Schneider 250mm Tele-Xenar
Exposure time
1 second
Other equipment
Gitzo Explorer Tripod, Lee 100 red filter
Location
Ober Goms, Geschinen, Valais, Switzerland
F...