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  • a:10:{s:4:"type";s:7:"wysiwyg";s:12:"instructions";s:0:"";s:8:"required";i:0;s:17:"conditional_logic";i:0;s:7:"wrapper";a:3:{s:5:"width";s:0:"";s:5:"class";s:0:"";s:2:"id";s:0:"";}s:13:"default_value";s:97:"Our aim is to that each new colour film we produce will be an improvement on the previous.";s:4:"tabs";s:3:"all";s:7:"toolbar";s:4:"full";s:12:"media_upload";i:1;s:5:"delay";i:0;}
  • a:10:{s:4:"type";s:7:"wysiwyg";s:12:"instructions";s:0:"";s:8:"required";i:0;s:17:"conditional_logic";i:0;s:7:"wrapper";a:3:{s:5:"width";s:0:"";s:5:"class";s:0:"";s:2:"id";s:0:"";}s:13:"default_value";s:217:" 36 EXP C41 COLOUR FILM ISO 200 ";s:4:"tabs";s:3:"all";s:7:"toolbar";s:4:"full";s:12:"media_upload";i:1;s:5:"delay";i:0;}
  • a:10:{s:4:"type";s:7:"wysiwyg";s:12:"instructions";s:0:"";s:8:"required";i:0;s:17:"conditional_logic";i:0;s:7:"wrapper";a:3:{s:5:"width";s:0:"";s:5:"class";s:0:"";s:2:"id";s:0:"";}s:13:"default_value";s:29:"PHOTOGRAPHER GALLERY";s:4:"tabs";s:3:"all";s:7:"toolbar";s:4:"full";s:12:"media_upload";i:1;s:5:"delay";i:0;}
  • a:10:{s:4:"type";s:7:"wysiwyg";s:12:"instructions";s:0:"";s:8:"required";i:0;s:17:"conditional_logic";i:0;s:7:"wrapper";a:3:{s:5:"width";s:0:"";s:5:"class";s:0:"";s:2:"id";s:0:"";}s:13:"default_value";s:63:"Lorem ipsum dolor sit amet, consectetur adipiscing elit.";s:4:"tabs";s:3:"all";s:7:"toolbar";s:4:"full";s:12:"media_upload";i:1;s:5:"delay";i:0;}
  • Our brand new, worldwide, student competition 'Pride and Prejudice,' (A reflection on the world today),  is now open for entries. We can't wait to see how you interpret this challenging theme. PRIDE & PREJUDICE -  The brief Borrowing the title from Austen's classic novel, we want to see how you interpret its central themes of Pride and Prejudice and how it is reflected in the today's world. Morality, social standing, race, religion, sexuality - we want to see the world through your lens. We are loo...
  • Perhaps best known for working at The Darkroom Lab, this week we talked to Trev Lee about his film photography. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? ILFORD FP4+ One of my all time favorite shots on ILFORD film was captured on FP4 Plus 125 with a Nikon FM3A and Ultron 40mm. It is a shot I have taken before on HP5+ a couple months prior - I love the texture of the tree which is framed by the squiggly lines of a a bicycle rack bu...
  • Friday Favourites 31st May 2024. As much as we enjoy seeing how you interpret our set themes for Friday favourites we also love a theme free week like this one! @podvodoy #themefree for this week's #ilfordphoto #fridayfavourites. HP5 and Kentmere 400 in Nikon F100   @MikoPoloczanski Dismantling of the old reloading unit. Port of Gdynia. Polska panoramiczna. Hasselblad xpan II +45/4; Ilford hp5+;#ilfordphoto #Hasselbladxpan #xpan #fridayfavourites #polskapanoramiczna #beliveinfilm #analogphot...
  • Featuring ILFORD PANF PLUS, the slowest film in our collection, with beautiful high contrast and smooth grain, today's #shotwithpanf Friday favourites was always going to give us a selection of stunning images to choose from. @TassieFilm #ilfordphoto #shotwithpanf Camera: 1952 Leica IIIf Lens: 1958 Leitz 13.5cm Hektor Film: bulk loaded 135 Pan F+;Exposure: One of several Bulb Exposures between 2-4 minutes @ f/11. Development: ID-11 1+3 20C/17.5m 1825 harp by John Egan, Dublin, Ireland   @for...
  • Same as ours The reportage tells of a journey in the regions of Northern India, starting from the borders with Pakistan to the banks of the Ganges river, in Varanasi. The story traveled on trains, buses, planes and tuc tuc. The roads were all dusty and bumpy but the people met were all clear and sunny. The glances reveal details of everyday life: people working, eating, sleeping, children going to school. Their daily life is the same as ours, but at the same time very different. If you step off the well-tr...
  • What would happen if I dedicated myself entirely to film photography? More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...

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