Search results for: 'everi and film'

Dialogues With Nostalgia My work in photography is deeply connected to light and emotion. Black and white analog photography allows me to explore these elements with a unique sensitivity, where each image results from a constant search to capture the ephemeral and the timeless. I shoot with ILFORD Delta 400 and ILFORD HP5+ films, using cameras such as the Mamiya RZ67 Pro II, Nikon F100, and Nikon F6, because their grain and tonal range offer a texture that dialogues with nostalgia, memory, and melancholy, ...

Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...

Best known as grainydays on YouTube, our next In Focus interview features Jason Kummerfeldt, who has been shooting film for seven years and shares his journey through photography, from the bad to the good. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is one of my all time favorites and one of my own few pieces I have hanging up in my cramped no-wall-space apartment: I shot it on my Mamiya 7 on ILFORD XP2 if I remember co...

Chasing Light There’s something raw about walking the streets with a camera in hand, chasing light and shadows. No filters, no gimmicks: just the world as it is, stripped down to its bones. That’s what black and white does. It pulls the noise away, leaving behind the soul of the moment. It Vanishes In Your Hand I’ve been hooked on that feeling for years. The kind you get when the sun hits the pavement just right, or when someone’s face tells a whole story in a single glance. For this work, I gr...

Catching Up Pinotepa Nacional, Oaxaca, is a run of the mill small Mexican city—which is to say that it’s pretty cool. There’s a cathedral, a vibrant market, lots of great street food, and a strong sense of community. I lived in Pinotepa for six months a few years ago while I was working on a project and absolutely fell in love with the place. I returned this past December to catch up with old friends and make content for my analog photography YouTube channel. My First Weekend Back I didn’t have a...

The excitement is electric It's a typical Wednesday morning in the tattoo shop I work at. I am trying to stay out of the way but with all three tattoo artists at The Black Veil in Salem, Massachusetts needing the printer behind the desk at the same time, and with me being (also) behind the desk, it's hard to all fit. "I'll just wait over here until you guys are done" I say, and I scoot out of the way to a bigger spot where the floor of the shop opens up into the sitting area. We do the same dance every mor...

Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...