Search results for: 'art the looking in'

We see so many stunning images taken by the sea so felt it fitting to set a Friday favourites theme of #nautical for this week. @MikoPoloczanski A winter morning in the harbour. Gdynia. Hasselblad Xpan II +45/4; Ilford xp2 super. Polska panoramiczna. #ilfordphoto #Hasselbladxpan #35mmphotography #nautical #fridayfavourites #panophotos #polskapanoramiczna #analogphotography #ilfordxp2 #analogforever   @trukphoto Film Friday: Alone ? Fuji GW690iii / Ilford HP5 #photography #filmphotography #be...

The struggle for life Black-and-white photography captures so much emotion, and nothing is more emotive than the struggle for life.  This insight led to the project GRAPPLERS ON FILM, where I use a number of vintage film cameras to capture the struggles of ordinary people training in the grappling arts of Judo, Wrestling and Jiu Jitsu. Zenza Bronica - ILFORD XP2 Submission For those not involved in the grappling forms of martial arts, the goal is to get a hold of your opponent and then force them to...

From hiking to darkroom printing, discover how Macy Lee created this unique print in our latest 'How I Got This Picture' interview. IMAGE TITLE Izzy at the Canyon  TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 120 CAMERA Hasselblad 500C LENS 60mm EXPOSURE TIME 5.6 F stop at 60th of a second LOCATION The Grand Canyon, South Kaibab Trail FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? Izzy is one of my best friends, and this was during a long running trip we ha...

Thank you all for your continued support, we love seeing the incredible photography you share each week for #ilfordphoto #fridayfavourites, especially during #themefree weeks. @MLHannahFineArt. Ryan ranch with the Rollieflex and HP5. Looking forward to taking these negatives into the darkroom. #film #filmphoto #filmcommunity #rollieflex #believeinfilm #bnwmood #bnw #believeinfilm #fridayfavourites #ilfordhp5 #ilfordphoto.   @CBarnePhoto. Piece Hall in Halifax on Kentmere 400 in homebrew rodi...

Slowing things back down Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...

My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...

The lessons I’ve learnt I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time. If you have any questions I could talk about double exposure for hours and go into a huge amount o...

In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park. Image Title Monolith TECHNICAL INFO FILM USED Kentmere Pan 400 FORMAT 35mm CAMERA Nikon F5 LENS Laowa 15mm F4 EXPOSURE TIME 30 minutes at f/4 Other Equipment Tripod, Remote shutter release LOCATION Balanced Rock, Arches National Park, Utah, United States, Earth FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? ...

Say Hello Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...

We're thrilled to launch our brand new 'Community Focus' series! In this series, we shine a spotlight on community darkrooms around the world, celebrating their contributions and exploring the stories behind these spaces. Our first interview in the series features Newport Film Lab from South Wales, a darkroom that began as a passion project and has since grown into something truly special. Section 1 - Background Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started...