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Chemigram workshop
On a very hot, sunny Saturday six students from The Mill Arts Centre Trust in Banbury took part in a Chemigram workshop.
Chemigrams were established in the 1950s by Belgian artist Pierre Cordier. Chemigrams are created by forcing a chemical reaction between photographic paper and photographic chemistry. In this workshop, we used ILFORD Warmtone Resin Coated Paper, ILFORD Pearl Resin Coated Paper, ILFORD Universal Developer, ILFORD Warmtone Developer and ILFORD Rapid Fixer.
Beautiful...
Below are some of the common errors that can occur when processing black and white films. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents.
Film entirely blank - No visible images or edge signing
A completely blank film with no images and no signing (i.e text in the perforation areas showing product and numbers) - indicates the film has received no development at all.
Blank ...
In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk).
For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'. We're so glad that he agreed.
What made you set up Emulsive.org and what were your initial plans for it?
My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE
EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
The future of photography
The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers?
Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues.
There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...
Music. bonding and booze
Clitheroe is a small market town in Lancashire, famous for its witches, good food and drink. And, (maybe) having the smallest Norman keep in England. Each September, it hosts the Ribble Valley Scooter Rally - a gathering with music, vintage clothing stalls, and a ‘ride-in’ of several hundred scooter enthusiasts. Previously known as the Ribble Valley Mod-Weekender, the event is a melting pot of different sub-cultures; Mods, Skinheads, Scooterboys, and every other conceivable spl...
Earlier this year my go-to black and white film of choice had its priced hiked astronomically, making it an un-affordable option for my daily choice. I set about exploring some different options, which included revisiting HP5 (a film, I must confess heretically that I have never gelled with), pushing FP4 to 400, Foma 400 and 200 pushed, and - the film for this short piece - ILFORD’s XP2.
I might not have even reached for a roll of XP2 had I not discovered the experiments of another analogue photogr...