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  • Introduction I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
  •   Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...
  • A black and white film community Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium. I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...
  • Tranquility Alan Brock searches for a sense of calm in his images. He shares how he achieves it below Technical info Film Used: Delta 100 Format: 4x5 Camera: Intrepid 4x5 II Lens: Nikkor 180mm f/5.6. Shot at f/45 Exposure time: 40s Other equipment: Gitzo 1545T Tripod Location:  Parksville Lake Tennessee     Firstly, tell us the story behind this image. What inspired you to shoot it? I like to search for a sense of calm in my images.  In a lot of ways this fits my...
  • An Interest in Large Format Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format. I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
  • Crumble We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image. Technical Info Film Used: Ilford HP5 PLUS Format: 120 (6x7) Camera: Mamiya RB 67 Pro-S Lens: 90mm/3.8 Mamiya Sekor Exposure time: 1/100 Other equipment: Changing bag with an extra 120 spool. Location: Top—Philadelphia, PA | Bottom—Bradley Beach, NJ Firstly, tell us the story behind this image. What inspired you to s...
  • Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...
  • HARMAN technology Ltd, the manufacturer of ILFORD photographic film, darkroom paper and chemicals, has announced the ILFORD SIMPLICITY range of photo chemicals designed for convenient, easy-use film processing. The ILFORD SIMPLICITY range of film processing photo chemicals have been created for convenience and ease of use. These sachets are ideal for photographers who want to try processing their own film but have until now been apprehensive about the process and/or may not have required the larger volum...
  • Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...
  • I always say time is the most precious commodity there is. If you are doing something you love, it flies by faster than the speed of light. And if you are waiting for something, it can feel like centuries are passing by. If only there was a way to somehow stop it in it’s tracks and enjoy every second of it. In the beginning I used to be a digital photographer. It was all fun and games at the beginning. And it definitely did the job. It stopped time! I could keep track of my memories, look back ...

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