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Tree #8
Technical info:
Film Used: Ilford FP4
Format: 6x7
Camera: Mamiya 7ii
Lens: 43mm
Exposure time: 3 min
Other equipment: Lee Filter holder, Lee 4 stop nd, Lee Red #25 filter, B&W 105mm Polarizer, Gitzo Tiopod, Acratech Ballhead.
Location: Zion National Park
Tell us the story behind this image. What inspired you to shoot it?
A couple good friends of mine who know Zion quite well introduced me to this fantastic little tree last Fall. The tree is about 9 feet tall and high up on a ridge ...
An Interest in Large Format
Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format.
I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
Crumble
We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image.
Technical Info
Film Used: Ilford HP5 PLUS
Format: 120 (6x7)
Camera: Mamiya RB 67 Pro-S
Lens: 90mm/3.8 Mamiya Sekor
Exposure time: 1/100
Other equipment: Changing bag with an extra 120 spool.
Location:
Top—Philadelphia, PA | Bottom—Bradley Beach, NJ
Firstly, tell us the story behind this image. What inspired you to s...
Beginnings
I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work. I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences.
I shoot all my projects in medium format film. I do use digital, but only for commercial photography or for working on reports.
Materials ag...
Sharing the skills and the passion
My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography
Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
Turning your negatives into positives
Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL
How it works
It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
We are delighted to announce a number of exciting new products added to our range.
ILFORD MULTIGRADE RC DELUXE
ILFORD announced the world’s first variable contrast MULTIGRADE paper in 1940 and in 2019, as we celebrate our 140th anniversary, we are pleased to announce the 5th generation of our best-selling MULTIGRADE RC Papers.
MULTIGRADE IV RC papers (4th generation) were launched 25 years ago and have been hugely successful becoming the ‘go to’ black & white RC papers for discerning studen...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...