Search results for: 'once trai your in'

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  • The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
  • An Interest in Large Format Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format. I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
  • I am a wedding and portrait photographer. The following portrait is of Roshni, a jewelry designer. Her designs are handcrafted and have a vintage feel to them. So, when the opportunity came to shoot her I wanted to create something classic and real. One look at her and I was convinced about black and white being the choice of film. Film used:      HP5 PLUS Format :          4X5 sheet film Camera:          Wista Field 4X5 Large Format Lens:                Schneider S...
  • HUNTING ISLAND XVI, 2018  Technical info Film Used    Ilford Delta 100   Format    4x5 Camera     Chamonix 045N-2 Lens     Fujinon SW-90 Exposure time   Approx.2 minutes Other equipment    Sand & shells, to taste. Location: Hunting Island, South Carolina, US.   Tell us the story behind this image. What inspired you to shoot it? This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
  • Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...
  • Opportunities Now and again in life opportunities arises that you just have to take. You know, the ones that if you think about for too long will be missed, so you have to jump in with your best foot forward, or in this case with your best film forward.  This happened to me last year as I was casually talking to someone about my work they mentioned that they had access to an old building that had recently been vacated and was to be sold at auction. The building had been untouched for years, and they sai...
  • Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...
  • Sharing the skills and the passion My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
  • Turning your negatives into positives Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL How it works It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
  • Below are some of the common errors that can occur when processing black and white films. Many of these are actually common film processing problems that photographers encounter without being aware of what has caused them. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents. Film entirely blank - No visible images or edge signing A completely blank film with no images and no sig...

Items 11 to 20 of 114 total

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