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My dream camera
I was introduced into photography when I was just a teenager by my uncle Massimo —· AKA zio Max. That’s how I have acquired basic knowledge about film photography, and developed the skills that helped me to start a career as an independent — and self-taught — filmmaker.
Filmmaking and video production became my main occupation, while photography remained a deep passion, which kept coming back from time to time in my professional career.
In the last few years I have been too...
How I got this picture
Fanal, Madeira
Technical info
Film Used: Ilford HP5+
Format: 120
Camera: Rolleiflex 3,5E
Lens: 75mm F3,5
Exposure time: 1/125s
Other equipment: none (I could roam around freely and look for compositions)
Location: Fanal, Madeira
Firstly, tell us the story behind this image. What inspired you to shoot it?
Ever since I saw an image of the Laurisilva forest in Fanal on the island of Madeira, I knew that I wanted to explore this place for myself. It is o...
John Whitmore is a 'sometimes' event and black and white documentary photographer, a Darkshed owner, darkroom printer, YouTuber and Sunny16 podcaster. We're really pleased that he took some time out of his busy schedule to become the 24th 'In Focus' interviewee.
Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
In some respects photography could be explained as one massive scientific research project, capturing data to show the state of atoms and ho...
It’s weird, if not taboo to tell someone that I learnt to shoot digital before learning how to shoot film. I guess this may be the case for many of us in the digital era of photography. My journey into photography is what I like to call a beautiful accident or a series of fortunate events. When a photographer cancelled last minute for a charity event organised by a close friend of mine in 2017 I found myself stepping in to fill the spot. I knew absolutely nothing about photography, how to use a DSLR or ev...
Toby Van de Velde takes centre stage this week as the 29th interview in our In Focus series. He was nominated by John Whitmore back in September who described him as 'Constantly producing wonderful analogue images.'
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is a tricky one to answer. Narrowing it down is nigh on impossible.
This is a recent favourite from a couple of months ago, shot on Kentmere Pan 400, shot in my Billora Bell...
The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
We've admired Tom Kirkendall's beautiful pinhole images and darkroom prints for a while and were thrilled when he agreed to take part in this series and allow us to find out a little more about him in this, our 38th In Focus interview.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite photo??? Now that is a difficult decision. In the words of Ansel Adams “It is the one I have not taken yet” But if I am pressed to make a decisio...
Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview.
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...
Time to go green?
As the threat of the climate crisis grows each day - we must strive for sustainability in all aspects of life. But when standing atop a cliff shakily clutching your 5x4 camera, or working under the red light of your local darkroom - sustainability can seem like a distant concern, reserved for those in stuffy offices or holding placards outside of parliament.
As analogue photography has always been eager to embrace innovation in the face of change - is it time to go green?
My name is...