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A medium for the moment
I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...
Every now and then it's nice to freshen things up a bit. The eagle-eyed amongst you may soon notice that our 135 and 120 ILFORD film cartons have been updated.
The changes are relatively subtle
ILFORD branded films are still in white boxes with the product logo. And don't worry, the films themselves are not changing.
So, what has changed?
We have added an information panel on the side of the box, showing the ISO and exposures for easy reference. We've also moved the HARMAN technology name...
Quality, consistency and value
We have always been proud of the quality, consistency and value offered by our Kentmere range of black & white films.
However, following the recent redesign of our ILFORD film packaging earlier this year we noticed that the Kentmere brand and packaging was looking a little old school (but not in a cool, retro way)!
We felt it was time for Kentmere to step out of the shadows and be recognised for the excellent films that they are and so we are pleased to show ...
Beginnings
I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work. I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences.
I shoot all my projects in medium format film. I do use digital, but only for commercial photography or for working on reports.
Materials ag...
London Fashion Week
Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...
On April 15th in London, and many other locations around the world, a series of protests and demonstrations took place as an act of rebellion against systems of pollution and excess, which are causing rapid changes in the climate of our planet. I was aware that this rebellion would be taking place having attended a march a few days previous. I was excited to continue shooting in this environment and did not yet realise the scope of their action to unfold, or how rewarding it would end up being photographica...
In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk).
For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...
If you've ever held any interest in skateboarding then we're sure that you'll recognise Joe Brook, our third victim interviewee for the Lockdown Sessions. Joe also featured in one of our 1st ILFORD Inspires videos. (You can find the link in his bio below).
SECTION 1 - THE BEGINNING
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is my favorite photo of 2019. I was on a skate trip with the Spitfire team and we were warming up at a skate park. A local t...
The future of photography
The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers?
Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues.
There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...
We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab)
This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...