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General health and safety advice
This section provides advice to our customers on the safe handling, use and storage of our photochemical solutions, best practice for waste disposal and specific advice to women who are pregnant or breastfeeding a child.
If you are looking for information on the chemical safety of HARMAN photochemistry solutions, please refer to the Safety Data Sheets (known as SDS or MSDS)
24 HOUR OHES emergency line for advice on chemical incidents
Safe working practices
It is essen...
Safety data sheets for ILFORD photochemicals when made up for use
These safety data sheets relate to the products after they have been prepared for use in accordance with our recommendations. Because we do not supply these chemical solutions ready for use, we are not obliged to provide these SDSs. However, we do so in order to help users, especially those in schools and colleges, to use the products safely and assess correctly the risks involved. These are European SDSs and are provided in English only.The...
The ILFORD PHOTO Archival Sequence, or Optimum Permanence wash system is a method of processing fibre base papers for maximum longevity while reducing the amount of water and time used.
Whilst standard fixing and washing recommendations will give excellent print permanence for all commercial needs. When optimum permanence is needed, perhaps for archival storage of prints, the following fixing and washing sequences at 18–24ºC/65–75ºF (including wash water) are recommended using ILFORD WASHAID.
Fi...
What are paper developers?
Paper developers allow the latent exposed image to become visible to the naked eye and form part of a processing workflow along with a stop bath and fixer. Read our guides, for more information on picking the right paper for you or which chemistry to choose
When shopping for photo chemicals always check the application. We produce a range of photo chemicals including stop baths, fixers, toners, wetting agents as well as paper and film developers. Film developers are speci...
Choosing Photo Chemicals
We have a range of photo chemicals for printing/processing all of our resin coated and fibre base papers in trays/dishes as well as in processing machines.
If you are new to printing the choice could appear excessive yet each liquid or powder paper developer has its purpose or strengths. For an overview of the whole range and what they do we have pulled together an introductory overview. If you are a beginner* and wondering where to get started then read on.
*While thi...
One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image.
We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works.
Below, we cov...
Please refer to the American MSDS page for those not yet available here
2000RT Machine Paper Developer
2000RT Fixer-Replenisher
2150XL Film Developer
2150XL Fixer
Bromophen Developer Part A
Bromophen Developer Part B
HARMAN Selenium Toner
HARMAN Warmtone Paper Developer
Hypam Rapid Fixer
ID11 Developer Part A
ID11 Developer Part B
Ilfosol 3 Film Developer
Ilfostop
Ilfotec DD Film Developer
Ilfotec DD-X Film Developer
Ilfotec DD Starter
Ilfotec HC Develope...
English language MSDS for Canada
2000RT Machine Paper Developer
2000RT Fixer-Replenisher
2150XL Film Developer
2150XL Fixer
Bromophen Developer Part A
Bromophen Developer Part B
HARMAN Selenium Toner
HARMAN Warmtone Paper Developer
Hypam Rapid Fixer
ID11 Developer Part A
ID11 Developer Part B
Ilfosol 3 Film Developer
Ilfostop
Ilfotec DD Film Developer
Ilfotec DD Starter
Ilfotec DD-X Film Developer
Ilfotec HC Developer
Ilfotec LC29 Film Developer
Ilfot...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...