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Summer of Photograms
My end goal with my photography, at least for as long as I can remember, was to make darkroom prints. I love the thought processes in darkroom printing, the excitement when I manage to find the combination of burning, dodging and other printing techniques that turns my imagined image into a print that I can share. Preferring the tactile nature of darkroom craft, I never cottoned on to digital photo processing or printing.
Then in the spring of 2019 I developed a long term illness th...
Thank you to everybody that shared shots with us for this week's #ilfordphoto #fridayfavourites #shotonHP5. So many amazing images to choose from and it is clear you all love HP5 as much as we do! The versatility of it shows in how and what you have captured! We even have a couple of Holga shots and a bit of darkroom toning going on!
Jason Connelly @jconnellyphotos Camera: Holga, Ilford Warmtone FB Paper, Selenium 1:5
Andrew Bartram @Warboyssnapper #shotonhp5 #fridayfavourites @I...
The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
Urban Lives and the Natural World
I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project.
There's a little bit of history in this direction with work from grea...
After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published.
1987
In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...
Another great week for #ilfordphoto #fridayfavourites with plenty of great #ffheight images to choose from. Thank you to everyone who shared with us on Twitter and Instagram. These are our favourites this week
my7views The Crane Houses in Cologne, by Hadi Teherani.(Taken with Olympus OM-1 on Ilford Delta 100.)#fridayfavourites #ffheight
@dmbloor Looking (or locking) down. Near Etruria Industrial Museum in Stoke-on-Trent. Canon EOS 5 (that is film not D !) on #ilfordphoto #Delta400 for this week's #f...
Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...
During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative.
Cyanotype
A lonely weed
The local darkroom re-opened for half-day s...
We hope that you are enjoying learning more about some of the film shooters that we have working here at HARMAN. This week's interviewee (our 5th) is our MarComms Manager Matt Parry. We think he has a bit of GAS (gear acquisition syndrome) what do you think?
Who are you? What is your job title at HARMAN technology and how long have you worked here?
My name is Matt Parry and I’ve been the Marketing Communications Manager at HARMAN technology since June 2016.
Tell us a little about your day-to-day role.
...