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It was the perfect film to learn with
I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...
My camera is a passport to a world of amazing discoveries
My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
So, from the official ILFORD Photo website:
It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users.
With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...
Sergio Felipe García tells us how he captured this brilliant shot for a commissioned clothing brand in this 'How I Got This Picture interview'.
Image Title
Cenizas de un verano” (“Ashes of a Summer” in english)
TECHNICAL INFO
FILM USED
ILFORD HP5+
FORMAT
35mm
CAMERA
Hanimex Amphibian
LENS
35mm f2.8
EXPOSURE TIME
1/125s at f11
LOCATION
El Médano, Tenerife
FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
The photo series “Ashes of a Summer” emerged ...
Wilber (@ccs_wilber) wheelies down a hill in Medellin.
BikeLife
The first time I learned about Bikelife was at Parque Nacional, Bogotá’s most emblematic park. It was a Sunday and there must have been at least a hundred of them. They almost all fit the same profile: very young, baggy clothes, no helmet. A disproportionate number sported ‘El 7’, a kind of neo-mullet that’s popularity in Colombia predates the current mullet resurgence in the rest of the world.
12-o’clock wheelies...
On the Language of Photographs
A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...
In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023.
WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE?
Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University.
TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE.
I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park.
Image Title
Monolith
TECHNICAL INFO
FILM USED
Kentmere Pan 400
FORMAT
35mm
CAMERA
Nikon F5
LENS
Laowa 15mm F4
EXPOSURE TIME
30 minutes at f/4
Other Equipment
Tripod, Remote shutter release
LOCATION
Balanced Rock, Arches National Park, Utah, United States, Earth
FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
A Revelation
Just south of Sydney sitting on one of Australia’s most pristine coastlines you’ll find the regional city of Wollongong. Nestled within this city of surfers, coal miners and steelworkers you’ll find a group of students creating big things in a small darkroom.
‘Mez, I’ve been thinking a lot… I want to be a fine art black and white film photographer.’
These words from one of my TAFE NSW students, Sara, were delivered with a shakiness in her voice, utter passion in her heart, ...