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Portraits Of Strangers
I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
Camera And Us
Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed.
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The Nod
The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
Stave Lake Historical Powerhouse
One of the genres of photography that I seldom get to experience is that of industrial photography. However, there is one exception in my vicinity at the Stave Lake Historical Powerhouse - a national historic site of Canada, which started producing hydro-electric power in the early 20th century until a modern replacement in the year 2000 took over the job. Perhaps growing up on the prairie has instilled in me an affinity for industrial machinery and when I found a historica...
The Love Affair
I didn’t even really like racing when we planned our trip to the Monaco Grand Prix. Not racing, not Formula 1, not any of it. But I did have a very long ongoing love affair with the south of France and any opportunity to spend time along the Mediterranean was a go for me.
Something Was Unlocked
As my husband Mark and I were planning this trip to celebrate a milestone birthday, something happened to me in the lead-up; something was unlocked. It’s Mark who has the life-long love of ...
The Greatest Gift
In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...
The Outcome
I am known as a black and white Photographer. I always prefer shooting in black and white. It helps me convey the concept of the image formed in my mind , through my photography. Another reason that always motivates me is the precedence of form over colour. However, sometimes I choose to shoot in colour to see the different outcome's. The outcome is usually that I should never shoot in colour because the type of light I shoot with isn't usually compatible for colour photography.
My Favouri...
Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+
This is an image of Arianna, a snake handler from the town of Cocul...
Environmental Portraits
I started my analogue black and white portraits of artists in spring 2021, the second year of the pandemic. I wanted to photograph actors in Berlin over a longer period of time. This was the right moment because theaters were closed and filming of movies had largely been stopped. I decided to shoot some kind of “environmental portraits” in public spaces. I wanted the location to be part of the portrait. In addition, local health restrictions back then allowed gatherings of exact...