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  • This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...
  • “Were it not for the shadows, there would be no beauty.”- In Praise of Shadows- Junichiro Tanizaki. Blackbird A universe at our feet If there is anything the pandemic has taught us, it is perhaps, that everything we need, can be found right where we are. There is something to be said for focusing down on the small things, the seasonal changes, the birds calling, the nature all around us and the people within our local communities. When we take the time to focus down, we can find a whole universe c...
  • Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Hannah Gross and I am one of the newest members of the team at HARMAN Technology. I started working here two months ago, and my job title is ‘Digital Marketing Assistant’. HP5 + Tell us a little about your day to day role. As I have been here for such a small amount of time, I am still learning and getting used to my day to day role. I work within a small team, mainly helping and assisting where n...
  • Six Weeks Ago It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins. I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...
  • Waves Of raw Emotion The pandemic hit me in the same sudden and devastating way as most people I knew. Without warning, the world as we knew it came to a screeching halt and there was nothing anyone could do about it. During the first few weeks my friends and I rode waves of raw emotion. We cooked extravagant dinners and drank way too much wine. We cried, laughed until we started crying again, and tried to make light of a dark situation that we were convinced would be over soon. And on it went, day after d...
  • Distractions To A Minimum Whether I’m taking pictures of friends, my dogs, travel, a model, or a movie star, my goal is to make the process as simple as possible, and to keep my distractions to a minimum. While on set of a campaign shoot a few weeks ago, I was having a conversation with the talent, and he asked me how I got into photography. A question I’ve been asked before but never really gave serious thought to. Andrew Garfield. Vanity Fair - Oscars - Beverly Hills. First Meaningful Interacti...
  • British Culture Archive If you go to the Refuge in Manchester, you’ll find an exhibition of photographs by the renowned photographer, Tish Murtha, and a selection of my work from East Manchester. This is the latest exhibition from the British Culture Archive, but there’s more than photographs on show. It’s a commentary that began forty years ago when Tish Murtha took photographs in Elswick, Newcastle. It was taken up twenty years later when I took these photographs in East Manchester and the story ca...
  • Always watchful As a woman, out and about taking photographs on my own, I try to take care not to put myself at any unnecessary risk. I’m always watchful of anyone taking the wrong kind of interest in me or my gear. I shouldn’t have to worry about things like that but sadly, that’s how life is. When I go out, I don’t have any expectations of what I’m going to shoot that day because I never know what, or who, will turn up. Blending In Through my passion for street photography, I am very inter...
  • Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us wh...
  • 'Something Special' There is a unique rendering to photographs made with Multigrade enlarging papers. It's difficult to define, maybe it's the timeless mood or perhaps it's the mystical feeling, or even a haunting aura... it's certainly there for me I like this very much! Add to this, it's super economical and can be visually handled via darkroom safe-lights. No more fussing around in total darkness which often requires the use strong language! Humour aside, I find the physical involvement of handling the...

Items 171 to 180 of 277 total

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