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Items 161 to 170 of 330 total

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  • The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
  • Why Film? Since 2016 I’ve messed around with film casually alongside digital. Early 2020, COVID-19 forced me to return a year early from a mission trip in Colombia and completely restart my life from zero. I couldn’t afford a digital camera like the one I sold to go on the trip but, my good experiences with 35mm SLR cameras in the past led me to pick up an Olympus OM-10 for $40 and I haven’t shot digital since. Where it began As a photographer this was my first venture into making physical art....
  • Urban Lives and the Natural World I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project. There's a little bit of history in this direction with work from grea...
  • One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...
  • We've admired Tom Kirkendall's beautiful pinhole images and darkroom prints for a while and were thrilled when he agreed to take part in this series and allow us to find out a little more about him in this, our 38th In Focus interview. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite photo??? Now that is a difficult decision. In the words of Ansel Adams “It is the one I have not taken yet” But if I am pressed to make a decisio...
  • A chance encounter We started to make this work roughly ten years ago, after a chance encounter on a photo sharing platform. This led to a mutual appreciation of each other's work and we found that we both saw the potential of the landscape to resonate with inner experience and make it visible. We were both using a camera called a Holga. An incredibly simple plastic medium format camera known for its low quality lens which produces a very dreamy aesthetic, frequently including lens flares and vignetting...
  • THE ILFORD PHOTO ANNUAL ULF SHEET FILM ORDERING WINDOW FOR 2021 IS NOW OPEN! For the 16th consecutive year, we're giving photographers the opportunity to order selected custom sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity. We know many of you look forward to this and, despite the delays caused by COVID-19, we remain committed to running this campaign. ULF photographers have until Friday 20th August 2021 to place their orders with...
  • Taking Risks Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs. I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish. A retrospective This is something I r...
  • In week three of our behind the film series we're heading to our technical department to meet our Technical Service Manager Neil Hibbs. Who are you? What’s your job title HARMAN technology and how long have you worked here? Neil Hibbs – Technical and Lab Services manager Tell us a little about your day to day role. I manage a small team offering technical product support, both internally (to manufacturing and marketing functions) and externally to our worldwide customer base. I also set-up the Ha...
  • Reflections on the Materiality of Film, with PANF Plus in the Montana Snow Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image. I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...

Items 161 to 170 of 330 total

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